The Peter Pan Formula Movie Poster (11 x 17 Inches - 28cm x 44cm) (2005) Korean Style A -(Ju-wan On)(Ho-jung Kim)(Ji-young Ok)(Min-ji Park)(Ji-woo Jang)

• The Peter Pan Formula Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Korean Style A
• The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
• Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
• Size is provided by the manufacturer and may not be exact
• Packaged with care and shipped in sturdy reinforced packing material

Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exci! ting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on South Korean Presbyterians.Description If one looks back upon history, Korean cinema has always repeatedly passed through fixed cycles of booms and crisis. Now, as we go through the aftermath of compacted modernization, just as was the case with Korean society, indications of fissure and decline are slowly appearing within the industry. But just has been the case over all of these years when it has broken through crisis, Korean cinema is in any event supplied with a driving force through the appearance of new talents, and will be able to transform itself once again. This book is an attempt to shed new light on some new faces of Korean film as we look back on the period leading up to the mid-2000s by highlighting the attempts of some young directors who have not yet accumulated long filmographies, but have achieved considerable results.Hephaestus Books represents a new publis! hing paradigm, allowing disparate content sources to be curate! d into c ohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on South Korean novelists.A successful lawyer who in order to save her daughter is pressured into defending the innocence of a man slated to receive the death penalty. Studio: Virgil Films And Entertai Release Date: 08/24/2010 Run time: 125 minutesThis digital document is an article from Bioinformation, published by Biomedical Informatics Publishing Group on January 1, 2008. The length of the article is 892 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately a! fter purchase. You can view it with any web browser.

From the author: Keywords: gene index; EST CONTIGS; identifier EST; database

Citation Details
Title: PlantGI: a database for searching gene indices in agricultural plants developed at NIAB, Korea.(Web Database)(National Institute of Agricultural Biotechnology)(Plant Gene Index)(Report)
Author: Chang Kug Kim
Publication: Bioinformation (Magazine/Journal)
Date: January 1, 2008
Publisher: Biomedical Informatics Publishing Group
Page: 344(2)

Article Type: Report

Distributed by Gale, a part of Cengage LearningThe Peter Pan Formula Poster (11 x 17 Inches - 28cm x 44cm) (2005) Korean Style A reproduction poster print

CAST: Ju-wan On,Ho-jung Kim,Ji-young Ok,Min-ji Park,Ji-woo Jang; DIRECTED BY: Chang-ho Cho;

Read more »

Flick [ NON-USA FORMAT, PAL, Reg.2 Import - United Kingdom ]

• THIS DVD WILL NOT WORK ON STANDARD US DVD PLAYER

United Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby Digital Stereo ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: Anamorphic Widescreen, Interactive Menu, Scene Access, SYNOPSIS: In life, rock and roll rebel Johnny was the laughing stock of his peers; in death, the slick haired corpse rises from a watery grave to ensure that those who once mocked him never get the chance to laugh again. At the onset of the free love era, some folks just weren't willing to hang up their blue suede shoes. Johnny "Flick" Taylor was a withdrawn Teddy Boy whose refusal to change with the times set him apart from the pack. A laughable relic of a bygone era to those who valued trend over substance, Jo! hnny's sole refuge was the Palace Dance Hall. Come Friday night Johnny would be out on the dance floor shaking and jiving, his eyes steadily fixed on the beautiful Sally Andrews. One weekend, after months of reigning in his stutter, Johnny finally works up the courage to ask Sally for a dance. Instantly rejected by Sally and mercilessly beaten by her group of male admirers, Johnny flies into a murderous rage in which he kills and maims his oppressors before tossing Sally in the back seat of his car and punching the gas. In the ensuing chase Johnny's car spun out of control and went careening into a nearby river, though Sally miraculously managed to escape and make her way to safety. Forty years later Johnny's car is recovered from the river, the murderous young rebel's fists still clutching the steering wheel. Johnny's story isn't over yet though. It seems that the sounds of Rock-A-Billy radio have the power to bring the undead rebel screaming back to life, but only between! the hours of midnight and two o' clock in the morning a

Read more »

ORNELLA MUTI 11X14 COLOR PHOTO

• Description: High Quality real photograph printed on Fuji Paper.
• Size: 11X14 inches

Citrus Cinema has done it again! Films of the seventies were just bursting with onscreen nudity that one volume was not enough. Hollywood isn't the only place to find beautiful actresses. The Saucy 70's Volume 2 has a distinct international flavor with dozens of A and B-movie ingenues from around the world featuring 100 starlets in all!

The Saucy 70's were an extraordinary period in cinema, sex and nudity in mainstream films exploded and new subgenres of films emerged. Nunsploitation, blaxploitation, grindhouse, woman-in-prison, European giallos and sex comedies, and of course, the ever-popular 'young woman's erotic journey' films that were so prevalent, took nudity in cinema to greater heights.

Our sex in cinema retrospective uncovers long-forgotten gems buried for years as well as so! me of the most significant films in the history of sex on the screen. Controversial and groundbreaking films, you'll discover the most memorable and erotic scenes of the decade as well as insightful and controversial bios on each actress. In many cases it was their first and only nude appearance on film, making this a must-have reference guide to nudity in cinema.

Once again, sit back and enjoy groovy 70's sounds, chic 70's fashions and best of all, mostly-natural 70's skin, as we pay homage to the beautiful actresses of the 70's. If you loved Volume 1, you'll go gaga over Volume 2! Round out your collection and get all the films in our series: The Swinging 60's The Easy 80's The Naughty 90's & The Tawdry 2000's all coming soon! The Saucy 70's Volume 2 includes the following starlets plus a BONUS EXTRA '30 Quick Peaks', a sweet selection of 30 obscure, lesser-known but no less beautiful actresses in very sexy scenes:

Laura Antonelli - The Eroticist
! Catherine Bach - Crazed
Priscilla Barnes - Seniors
! Femi B enussi - Strip Nude For Your Killer
Jane Birkin - Je T'aime Moi Non Plus
Rene Bond - The Adult Version Of Jekyl & Hyde
Barbara Bouchet - Ricco, The Mean Machine
Sonia Braga - Dona Flor & Her Two Husbands
Ellen Burstyn - Tropic Of Cancer
Rita Calderoni - Nude For Satan
Lili Carati - Senza Buccia
Nadia Cassini - When Women Played Ding Dong
Sybil Danning - Loves Of A French Pussycat
Phyllis Davis - Terminal Island
Susan Dey - First Love
Sylva Dionisio - Una Ondata Di Piacere
Edwige Fenech - Ubalda, All Naked & Warm
Anitra Ford - Invasion Of The Bee Girls
Laura Gemser - Emmanuelle Around The World
Elenora Giorgi - Story Of A Cloistered Nun
Gloria Guida - La Ragazzina
Joey Heatherton - Bluebeard
Xaviera Hollander - My Pleasure Is My Business
Nastassja Kinski - Stay As You Are
Sylva Koscina - Casanova & Company
Sylvia Kristel - La Marge
Sirpa La! ne - Papaya: Love Goddess Of The Cannibals
Barbara Leigh - Terminal Island
Christina LIndberg - Made In Sweden
Malisa Longo - Elsa Fraulein SS
Chesty Morgan - Deadly Weapons
Paola Morra - Killer Nun
Ornella Muti - A Summer Affair
Rosalba Neri - Slaughter Hotel
Olivia Pascal - Vanessa
Ingrid Pitt - Vampire Lovers
Misty Rowe - Goodbye, Norma Jean
Illona Staller - Yellow Emmanuelle
Koo Stark - The Awakening Of Emily
Connie Stevens - Scorchy
Ingrid Steeger - Me, A Groupie
Dorothy Stratten - Autumn Born
Anita Strindberg - Lizard In A Woman's Skin
Dyanne Thorne - Ilsa, She Wolf Of The SS
Angel Tompkins - The Teacher
Betty Verges - The Fruit Is Ripe
Lindsay Wagner - Two People
Lana Wood - A Place Called Today
and many, many more!"Style is the answer to everything," intones skid row poet Charles Serking, played by the suitably grizzled and worn Be! n Gazarra, to his somnambulistic audience. Serking is, of cour! se, a no t-at-all veiled stand-in for beat legend Charles Bukowksi, whose autobiographical short stories were the basis for this film. But Serking, in many ways, comes off more like a gin-soaked fantasy of a skid row Hemingway whose sports of choice are alcohol, women, and sex. Behind the salt-and-pepper beard and rummy eyes lies an actor too poised to allow himself to fully sink into the alcoholic sloppiness that Mickey Rourke so easily brought to the screen in the less pretentious and more concise Barfly, which Bukowski himself scripted. But if Italian-born director Marco Ferreri stumbles over the self-conscious dialogue, he's right at home capturing the seedy atmosphere of dim, run-down apartments and underlit bars in the real Hollywood Serking calls home. When Serking's fling with the stunning, self-mutilating Italian hooker Cass (Ornella Muti, who puts her oversized safety pin to some rather startling uses) becomes too emotional, he takes the anonymous safety of t! he streets--crashing in a flophouse, passing around a bottle with a listless knot of derelicts. Serking melds right in with the littered streets and lost souls, a real man of the people. Suddenly you see it: he's got style. --Sean AxmakerStudio: Arts Alliance America Release Date: 11/08/2005 Run time: 341 minutesA film by Marco Ferreri based on Charles Bukowski’s novel “Erections, Ejaculations, Exhibitions and General Tales of Ordinary Madness”

Ben Gazzara stars as Charles Serking â€" a poet exploring L.A.’s seedy depths and dealing with the elusiveness of love. After falling for both the lascivious Vera (Susan Tyrell) and the masochistic prostitute Cass (Ornella Muti), Charles spirals downward into the world of the defeated, the demented and the damned.

DVD EXTRA: Excerpt from the documentary “Marco Ferreri: The Director Who Came from the Future”"Style is the answer to everything," intones skid row poet Charles Serking, played by the suitably ! grizzled and worn Ben Gazarra, to his somnambulistic audience.! Serking is, of course, a not-at-all veiled stand-in for beat legend Charles Bukowksi, whose autobiographical short stories were the basis for this film. But Serking, in many ways, comes off more like a gin-soaked fantasy of a skid row Hemingway whose sports of choice are alcohol, women, and sex. Behind the salt-and-pepper beard and rummy eyes lies an actor too poised to allow himself to fully sink into the alcoholic sloppiness that Mickey Rourke so easily brought to the screen in the less pretentious and more concise Barfly, which Bukowski himself scripted. But if Italian-born director Marco Ferreri stumbles over the self-conscious dialogue, he's right at home capturing the seedy atmosphere of dim, run-down apartments and underlit bars in the real Hollywood Serking calls home. When Serking's fling with the stunning, self-mutilating Italian hooker Cass (Ornella Muti, who puts her oversized safety pin to some rather startling uses) becomes too emotional, he takes the a! nonymous safety of the streets--crashing in a flophouse, passing around a bottle with a listless knot of derelicts. Serking melds right in with the littered streets and lost souls, a real man of the people. Suddenly you see it: he's got style. --Sean AxmakerA billionaire auto magnate's virginal teenage daughter falls in love with an older, free-spirited drifter. Their romance is one that her parents vehemently want to prevent. Lisa (Ornella Muti) is very curious to explore her new-found feelings of desire,Oscar was Sylvester Stallone's agreeable, 1991 effort at broad comedy, a fast-talking, suspender-snapping gangster farce featuring the Rambo star as a 1930s Chicago mob boss, Snaps Provolone, trying to go straight during overlapping personal crises. No, this isn't Billy Wilder, but director John Landis (Coming to America) has crackling fun with Oscar's fruit salad of traditional comic themes and tools, including mistaken identities, a! powerful man's weakness for his children, and a nonstop parad! e of out re secondary characters. The cast includes Kirk Douglas as Stallone's father, whose deathbed wish compels Snaps to go into legitimate banking at the exact moment the latter's daughter (Marisa Tomei) announces her love for a chauffeur. Meanwhile, another woman claiming to be Snaps's offspring is engaged to a fellow (Vincent Spano) who has stolen $50,000 of the big man's money. Wackiness ensues. The winning cast includes Peter Riegert, Don Ameche, Chazz Palminteri, Eddie Bracken, Harry Shearer, Yvonne DeCarlo, and Bruce Davison. --Tom KeoghAt Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast libr! ary. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will gladly refund your money!

Read more »

For Richer or Poorer

• TESTED

DVDTim Allen and Kirstie Alley are New York scammers on the lam from the IRS--they got framed by their slimy accountant, Wayne Knight of Seinfeld--so they hide out as fake Amish farmers in Intercourse, Pennsylvania. As parodies of Witness go, For Richer or Poorer can't compete with the Woody Harrelson-Bill Murray flick Kingpin, by the creators of Dumb & Dumber. Allen and Alley are directed by the creator of McHale's Navy. But wait, come back! The true test of talent is a capacity to romp right through weak material, and while this story is hopelessly lame and formulaic, Allen and Alley are credible candidates for the clown prince and princess of broad TV comedy. When somebody wonders how come alleged Amish guy Tim Allen has no beard, Kirstie says, "Lice." Of course, his face has no lice on it either, so Kirstie adds, "Minute lice!" --Tim App! elo

Read more »