The Amateur's Mind: Turning Chess Misconceptions into Chess Mastery

• ISBN13: 9781890085025
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The Pulitzer Prize-winning authorâ€" "an immensely gifted writer and a magical prose stylist" (Michiko Kakutani, New York Times)â€"offers his first major work of nonfiction, an autobiographical narrative as inventive, beautiful, and powerful as his acclaimed, award-winning fiction.

A shy manifesto, an impractical handbook, the true story of a fabulist, an entire life in parts and pieces, Manhood for Amateurs is the first sustained work of personal writing from Michael Chabon. In these insightful, provocative, slyly interlinked essays, one of our most brilliant and humane writers presents his autobiography and his vision of life in the way so many of! us experience our own lives: as a series of reflections, regrets, and reexaminations, each sparked by an encounter, in the present, that holds some legacy of the past.

What does it mean to be a man today? Chabon invokes and interprets and struggles to reinvent for us, with characteristic warmth and lyric wit, the personal and family history that haunts him even asâ€"simply becauseâ€"it goes on being written every day. As a devoted son, as a passionate husband, and above all as the father of four young Americans, Chabon presents his memories of childhood, of his parents' marriage and divorce, of moments of painful adolescent comedy and giddy encounters with the popular art and literature of his own youth, as a theme playedâ€"on different instruments, with a fresh tempo and in a new keyâ€"by the mad quartet of which he now finds himself co-conductor.

At once dazzling, hilarious, and moving, Manhood for Amateurs is destined to become a classic.

Th! is is a pre-1923 historical reproduction that was curated for ! quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition."Astonishing . . . Moving . . . One of the best books ever written about a sport."
*Walter Clemons
Newsweek

"A PENETRATING, FASCINATING AND REMARKABLY SUSPENSEFUL NARRATIVE."
*David Guy
Chicago Tribune
In The Amateurs, David Halberstam once again displays the unique brand of reportage, both penetrating and supple, that distinguished his bestselling The Best and the Brightest and October 1964. This time he has taken for his subject the dramatic and special world of amateur ! rowing. While other athletes are earning fortunes in salaries and-or endorsements, the oarsmen gain fame only with each other and strive without any hope of financial reward.
What drives these men to endure a physical pain known to no other sport? Who are they? Where do they come from? How do they regard themselves and their competitors? What have they sacrificed, and what inner demons have they appeased? In answering these questions, David Halberstam takes as his focus the 1984 single sculls trials in Princeton. The man who wins will gain the right to represent the United States in the 84 Olympiad; the losers will then have to struggle further to gain a place in the two- or four-man boats. And even if they succeed, they will have to live with the bitter knowledge that they were not the best, only close to it.
Informative and compelling, The Amateurs combines the vividness of superb sportswriting with the narrative skills of a Pulitzer Prize-winning correspondent.
! "RIVETING."
*Christopher Lehmann-Haupt
The New York Ti! mes
" [A] MASTERFUL JOB . . . Maintains the suspense to the very last stroke . . . Halberstam makes us care about the four men, their disappointments and the brutal testing of their friendships."
*Dan Levin
Sports IllustratedThis book takes the student on a journey through his own mind and returns him to the chess board with a wealth of new-found knowledge and the promise of a significant gain in strength. Most amateurs possess erroneous thinking processes that remain with them throughout their chess lives. These flaws in their mental armour result in stinging defeats and painful reversals. Books can be bought and studied, lessons can be taken -- but in the end, these elusive problems always prove to be extremely difficult to eradicate. Seeking a solution to this dilemma, the author wrote down the thoughts of his students while they played actual games, analysed them, and catalogued the most common misconceptions that arose. This second edition greatly expands on the infor! mation contained in the popular first edition.

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Blind Sight: A Novel

• ISBN13: 9780307379160
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The Hugo Awardâ€"nominated novel by “a hard science fiction writer through and through and one of the very best alive.” â€"The Globe and Mail

 

Two months have past since a myriad of alien objects clenched about the Earth, screaming as they burned. The heavens have been silent sinceâ€"until a derelict space probe hears whispers from a distant comet. Something talks out there: but not to us. Who should we send to meet the alien, when the alien doesn’t want to meet?

 

Send a linguist with multiple-personality disorder and a biologist so spliced with machinery that he can’t feel his own flesh. Send a pacifist warrior and a vampire ! recalled from the grave by the voodoo of paleogenetics. Send a man with half his mind gone since childhood. Send them to the edge of the solar system, praying you can trust such freaks and monsters with the fate of a world. You fear they may be more alien than the thing they’ve been sent to findâ€"but you’d give anything for that to be true, if you knew what was waiting for them. . . .

In March of 1994, Simon Lewis was a Hollywood man on the rise. He had started in the film industry as a lawyer and worked his way up to become a big-budget studio producer. He’d helped shepherd one of the most successful comedies in film history. He’d married the love of his life. And then one night, in a few seconds, everything changed.

In Blindsight, author Chris Colin unspools the remarkable true story of a horrific accident and the life that followed it. A killer at large. Unlikely twists of fate. Miraculous medical oddities. Otherworldly perceptions. Lewisâ! €™s is a tale of one man’s love and loss, and of the strange! turns a waiting a life remade.

“Colin tells Simon Lewis’s story of wreckage and rebirth with economy, vividness, and grace.” â€"Nicholson Baker,” author of House of Holes and Vox

“The extraordinary perceptions and insights experienced by Simon Lewis after his life-altering brain injury are fascinating to read about. This piece should remind those of us who plod through our days with healthy brains that a similar beauty and grace exists inside us waiting to be uncovered.” â€"Ethan Watters, author of Crazy Like Us: The Globalization of the American Psyche

“Only Chris Colin could make me care about the man responsible for the cheese-horror movie C.H.U.D II. Mixing a potent blend of reportage with vivid storytelling, Blindsight tells the tragic story of movie producer Simon Lewis, and his almost twenty year struggle with a strange neurological condition. Lewis’s story, we know in our heart of hearts, could befall any of us.” â€"Novella ! Carpenter, best-selling author of Farm CityIn March of 1994, Simon Lewis was a Hollywood man on the rise. He had started in the film industry as a lawyer and worked his way up to become a big-budget studio producer. He’d helped shepherd one of the most successful comedies in film history. He’d married the love of his life. And then one night, in a few seconds, everything changed.

In Blindsight, author Chris Colin unspools the remarkable true story of a horrific accident and the life that followed it. A killer at large. Unlikely twists of fate. Miraculous medical oddities. Otherworldly perceptions. Lewis’s is a tale of one man’s love and loss, and of the strange turns awaiting a life remade.

“Colin tells Simon Lewis’s story of wreckage and rebirth with economy, vividness, and grace.” â€"Nicholson Baker,” author of House of Holes and Vox

“The extraordinary perceptions and insights experienced by Simon Lewis after his life-altering brain ! injury are fascinating to read about. This piece should remind! those o f us who plod through our days with healthy brains that a similar beauty and grace exists inside us waiting to be uncovered.” â€"Ethan Watters, author of Crazy Like Us: The Globalization of the American Psyche

“Only Chris Colin could make me care about the man responsible for the cheese-horror movie C.H.U.D II. Mixing a potent blend of reportage with vivid storytelling, Blindsight tells the tragic story of movie producer Simon Lewis, and his almost twenty year struggle with a strange neurological condition. Lewis’s story, we know in our heart of hearts, could befall any of us.” â€"Novella Carpenter, best-selling author of Farm City

Two months since the stars fell...

Two months since sixty-five thousand alien objects clenched around the Earth like a luminous fist, screaming to the heavens as the atmosphere burned them to ash. Two months since that moment of brief, bright surveillance by agents unknown.

Two months of silence, wh! ile a world holds its breath.

Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route.

So who do you send to force introductions on an intelligence with motives unknown, maybe unknowable? Who do you send to meet the alien when the alien doesn't want to meet?

You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound, so compromised by grafts and splices he no longer feels his own flesh. You send a pacifist warrior in the faint hope she won't be needed, and the fainter one she'll do any good if she is. You sen! d a monster to command them all, an extinct hominid predator o! nce call ed vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist--an informational topologist with half his mind gone--as an interface between here and there, a conduit through which the Dead Center might hope to understand the Bleeding Edge.

You send them all to the edge of interstellar space, praying you can trust such freaks and retrofits with the fate of a world. You fear they may be more alien than the thing they've been sent to find.

But you'd give anything for that to be true, if you only knew what was waiting for them...

Two months since the stars fell...

Two months since sixty-five thousand alien objects clenched around the Earth like a luminous fist, screaming to the heavens as the atmosphere burned them to ash. Two months since that moment of brief, bright surveillance by agents unknown.

Two months of silence, w! hile a world holds its breath.

Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route.

So who do you send to force introductions on an intelligence with motives unknown, maybe unknowable? Who do you send to meet the alien when the alien doesn't want to meet?

You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound, so compromised by grafts and splices he no longer feels his own flesh. You send a pacifist warrior in the faint hope she won't be needed, and the fainter one she'll do any good if she is. You send a monster! to command them all, an extinct hominid predator once called ! vampi re, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist--an informational topologist with half his mind gone--as an interface between here and there, a conduit through which the Dead Center might hope to understand the Bleeding Edge.

You send them all to the edge of interstellar space, praying you can trust such freaks and retrofits with the fate of a world. You fear they may be more alien than the thing they've been sent to find.

But you'd give anything for that to be true, if you only knew what was waiting for them...

Isla's ability as a Seer has made her a life-long captive of a paranormal crime lord. Fae assassin, Ransom, offers her a chance at escape, but when she touches his hand she sees only blood, horror, apocalypse. What reason can Ransom have for wanting to rescue her, and can she possibly trust a man who deals in death?

**Please note, if! your copy ends in the bar office instead of with another vision, you DO NOT have the revised edition. Please contact Amazon for the most recent version.**
**Isla and Ransom's novel will be continued later in the Mirus series. In the meantime, please check out the other books in this series, starting with Genesis, an omnibus that includes Forsaken By Shadow and Devil's Eye.**

EXCERPT:

The city was burning. Ash drifted down like snow, blanketing the cracked pavement, mixing with the blood that leaked from broken bodies strewn in the street, on the sidewalks. In the distance the thunder of mortar shells competed with choruses of screams cut short before their crescendo.

Across the street a pack of vampires dragged a pair of women--mother and daughter by the look of themâ€"down the steps of a smoldering brownstone, fighting and arguing with every step over who had rights to the kill. No one stopped to help. They were too busy running for t! he overturned cars that barricaded either end of the block, cl! amoring, climbing to escape this nightmare.

All around her creatures that should have lived in the dark, in the night, or on the fringes of the human world were running amok. In the broad light of day. The dregs of Mirus society had erupted, and the ignorant, foolish humans were paying the price.

A shadow blotted out the sun, and she looked up to see a dragon, glittering black wings extended in a magnificent show of strength as it hovered a dozen feet above the street. It inhaled, armored chest expanding before it opened its enormous mouth and rained fire over every living thing, Mirus and human.

Isla did not feel the burn, but that didn’t stop the bite of fear as she watched more people swarm in. Fae soldiers with flashing blades took formation against a small army of goblins and trolls. A pride of Felis and a pack of Wylk flanked the other side, tearing through the disorganized ranks of underworld creatures with vicious claws and fangs.

Blood, so much blood.

The sound of mortar shells drew nearer until she could see the tanks of the human military beyond the barricade of vehicles, surrounded by soldiers kitted out for urban warfare. They were being picked off along either side by creatures Isla didn’t even recognize. As she watched, a broad-shouldered, white-faced soldier went down under a mass of razor-studded tentacles, the spray of blood soaking his nearby companions.

A voice rose upon the air, overpowering the sounds of violence with a language of the ancients. Isla looked up to the rooftops and spotted a robed figure, arms raised to the heavens. In a sharp, divisive motion, he brought his hands down and apart. The ground trembled and split. Trolls and goblins screeched as they fell into the pit, and other fighters scrambled back to the relative safety of the edge to continue fighting. Backs turned, they didn’t see the beasts that emerged behind them, clawing, crawling, deci! mating everything in their path.

The staccato pop o! f automa tic weapons announced the arrival of the military on the scene. Some of the citizens they were allegedly protecting went down in the spray of bullets. A young boy fell, motionless, across the body of a wraith. The dragon bellowed, rising up above the chaos to lay waste to the barricade and unleashing the paranormal hell on the last hope of the human race.Isla's ability as a Seer has made her a life-long captive of a paranormal crime lord. Fae assassin, Ransom, offers her a chance at escape, but when she touches his hand she sees only blood, horror, apocalypse. What reason can Ransom have for wanting to rescue her, and can she possibly trust a man who deals in death?

**Please note, if your copy ends in the bar office instead of with another vision, you DO NOT have the revised edition. Please contact Amazon for the most recent version.**
**Isla and Ransom's novel will be continued later in the Mirus series. In the meantime, please check out the other books in this s! eries, starting with Genesis, an omnibus that includes Forsaken By Shadow and Devil's Eye.**

EXCERPT:

The city was burning. Ash drifted down like snow, blanketing the cracked pavement, mixing with the blood that leaked from broken bodies strewn in the street, on the sidewalks. In the distance the thunder of mortar shells competed with choruses of screams cut short before their crescendo.

Across the street a pack of vampires dragged a pair of women--mother and daughter by the look of themâ€"down the steps of a smoldering brownstone, fighting and arguing with every step over who had rights to the kill. No one stopped to help. They were too busy running for the overturned cars that barricaded either end of the block, clamoring, climbing to escape this nightmare.

All around her creatures that should have lived in the dark, in the night, or on the fringes of the human world were running amok. In the broad light of day. The dregs of Mirus society had e! rupted, and the ignorant, foolish humans were paying the price! .

A shadow blotted out the sun, and she looked up to see a dragon, glittering black wings extended in a magnificent show of strength as it hovered a dozen feet above the street. It inhaled, armored chest expanding before it opened its enormous mouth and rained fire over every living thing, Mirus and human.

Isla did not feel the burn, but that didn’t stop the bite of fear as she watched more people swarm in. Fae soldiers with flashing blades took formation against a small army of goblins and trolls. A pride of Felis and a pack of Wylk flanked the other side, tearing through the disorganized ranks of underworld creatures with vicious claws and fangs.

Blood, so much blood.

The sound of mortar shells drew nearer until she could see the tanks of the human military beyond the barricade of vehicles, surrounded by soldiers kitted out for urban warfare. They were being picked off along either side by creatures Isla didn’t even recognize. As she watched, a broa! d-shouldered, white-faced soldier went down under a mass of razor-studded tentacles, the spray of blood soaking his nearby companions.

A voice rose upon the air, overpowering the sounds of violence with a language of the ancients. Isla looked up to the rooftops and spotted a robed figure, arms raised to the heavens. In a sharp, divisive motion, he brought his hands down and apart. The ground trembled and split. Trolls and goblins screeched as they fell into the pit, and other fighters scrambled back to the relative safety of the edge to continue fighting. Backs turned, they didn’t see the beasts that emerged behind them, clawing, crawling, decimating everything in their path.

The staccato pop of automatic weapons announced the arrival of the military on the scene. Some of the citizens they were allegedly protecting went down in the spray of bullets. A young boy fell, motionless, across the body of a wraith. The dragon bellowed, rising up above the chaos to l! ay waste to the barricade and unleashing the paranormal hell o! n the la st hope of the human race.Organ transplants are common today. But the master of medical suspense imagines what could happen when supply falls short of demand.A young girl is missing, and her only hope is a blind woman who can see through her eyes...


Tina has unforgettable female protagonists and action-packed, almost haunting plotlines. â€" Janet Evanovich New York Times bestselling author

Eight-year-old Phaedra Burns has been kidnapped by a madman who believes her sacrifice will assuage his rage. Olivia Howe knows that rage; sixteen years ago, she escaped his clutches. The trauma stole her sight, but gave her something in return: a psychic connection to abducted children. Now, that connection is Phaedra’s only hope…if Olivia can face the terrors of her pastâ€"and an inescapable new nightmare.

Phaedra’s kidnapping is the case that could push Detective Max Callahan over the edge. Especially when his key witnessâ€"or suspectâ€"is a! beautiful blind woman with a crazy claim. But her fragile beauty isn’t the only thing that draws him to her. And as their pasts, and passion, twist together, a killer stalks their every move.

(Formerly published in 2002 as Now You See Me for St. Martin’s Press under the name Tina Wainscott.)



Original reviews of this book:

“The plotline of paranormal mystery, Now You See Me [Blindsight], is similar to many other thrillers of this ilk, but its sensitive characterizations and incisive descriptions separate it from the pack. … Wainscott cleverly keeps the suspense rolling by introducing a handful of red herrings and penning a number of chilling close calls and near encounters. Though Wainscott hasn’t yet reached the popularity of Kay Hooper or Lisa Jackson, this intoxicating thriller is on par with those authors’ best works.” â€"Publishers Weekly

***** Incredible! I could not put this book down. It caught m! e from page one and REFUSED to let me go until the very end. A! uthor Ti na Wainscott has the shining talent of being able to combine the genre of "thriller" with the genre of "romance" and somehow make it work! Once again, Tina Wainscott delivers a heart-stopping story that will make many readers stay awake reading long into the night! ***** -- Huntress Reviews

TOP PICK! … Wonderfully drawn suspense that is gritty, chilling and frighteningly eerie. Author Tina Wainscott has really found her niche! â€" RT Bookclub Reviews

… A riveting tale of suspense, intrigue, and the healing power of love. The battle of good against evil is particularly important for Olivia and Max, both of whom have suffered more than any person should have to endure. But to save the kidnapped child and capture this fiendish killer, they must confront their deepest fears. The kidnapper knows their vulnerabilities and is quick to exploit them; Max and Olivia are the hunters and, in some ways, the hunted. A diverse cast of secondary characters adds de! pth and texture to this well-written, thoroughly engrossing tale.

The plot has more twists and turns than a labyrinth, and the suspense just keeps building. Readers will be on the edge of their seats for most of this white-knuckle thriller. With characters and a story you'll remember long after the last page is turned, NOW YOU SEE ME [Blindsight] is a strong contender for the best romantic suspense book of the year.

Review by Susan Lantz, www.newandusedbooks.com
A young girl is missing, and her only hope is a blind woman who can see through her eyes...


Tina has unforgettable female protagonists and action-packed, almost haunting plotlines. â€" Janet Evanovich New York Times bestselling author

Eight-year-old Phaedra Burns has been kidnapped by a madman who believes her sacrifice will assuage his rage. Olivia Howe knows that rage; sixteen years ago, she escaped his clutches. The trauma stole her sight, but gave her something in r! eturn: a psychic connection to abducted children. Now, that co! nnection is Phaedra’s only hope…if Olivia can face the terrors of her pastâ€"and an inescapable new nightmare.

Phaedra’s kidnapping is the case that could push Detective Max Callahan over the edge. Especially when his key witnessâ€"or suspectâ€"is a beautiful blind woman with a crazy claim. But her fragile beauty isn’t the only thing that draws him to her. And as their pasts, and passion, twist together, a killer stalks their every move.

(Formerly published in 2002 as Now You See Me for St. Martin’s Press under the name Tina Wainscott.)



Original reviews of this book:

“The plotline of paranormal mystery, Now You See Me [Blindsight], is similar to many other thrillers of this ilk, but its sensitive characterizations and incisive descriptions separate it from the pack. … Wainscott cleverly keeps the suspense rolling by introducing a handful of red herrings and penning a number of chilling close calls and near encounters. Though Wainsc! ott hasn’t yet reached the popularity of Kay Hooper or Lisa Jackson, this intoxicating thriller is on par with those authors’ best works.” â€"Publishers Weekly

***** Incredible! I could not put this book down. It caught me from page one and REFUSED to let me go until the very end. Author Tina Wainscott has the shining talent of being able to combine the genre of "thriller" with the genre of "romance" and somehow make it work! Once again, Tina Wainscott delivers a heart-stopping story that will make many readers stay awake reading long into the night! ***** -- Huntress Reviews

TOP PICK! … Wonderfully drawn suspense that is gritty, chilling and frighteningly eerie. Author Tina Wainscott has really found her niche! â€" RT Bookclub Reviews

… A riveting tale of suspense, intrigue, and the healing power of love. The battle of good against evil is particularly important for Olivia and Max, both of whom have suffered more than any person should have ! to endure. But to save the kidnapped child and capture this fi! endish k iller, they must confront their deepest fears. The kidnapper knows their vulnerabilities and is quick to exploit them; Max and Olivia are the hunters and, in some ways, the hunted. A diverse cast of secondary characters adds depth and texture to this well-written, thoroughly engrossing tale.

The plot has more twists and turns than a labyrinth, and the suspense just keeps building. Readers will be on the edge of their seats for most of this white-knuckle thriller. With characters and a story you'll remember long after the last page is turned, NOW YOU SEE ME [Blindsight] is a strong contender for the best romantic suspense book of the year.

Review by Susan Lantz, www.newandusedbooks.com

Civilization rests on the backs of its outcasts.

So when civilization needs someone to run generating stations three kilometers below the surface of the Pacific, it seeks out a special sort of person for its Rifters program.  It recruits those whos! e histories have preadapted them to dangerous environments, people so used to broken bodies and chronic stress that life on the edge of an undersea volcano would actually be a step up.  Nobody worries too much about job satisfaction; if you haven't spent a lifetime learning the futility of fighting back, you wouldn't be a rifter in the first place.  It's a small price to keep the lights going, back on shore.

But there are things among the cliffs and trenches of the Juan de Fuca Ridge that no one expected to find, and enough pressure can forge the most obedient career-victim into something made of iron.  At first, not even the rifters know what they have in themâ€"and by the time anyone else finds out,  the outcast and the downtrodden have their hands on a kill switch for the whole damn planet...

Peter Watts's first novel explores the last mysterious place on earth--the floor of a deep sea rift. Channer Vent is a zone of freezing darkness that bel! ongs to shellfish the size of boulders and crimson worms thre! e meters long. It's the temporary home of the maintenance crew of a geothermal energy plant--a crew made up of the damaged and dysfunctional flotsam of an overpopulated near-future earth. The crew's reluctant leader, basket case Lenie Clarke, can barely survive in the upper world, but she quickly falls under the rift's spell, just as Watts's magical descriptions of it enchant the reader: "Steam never gets a chance to form at three hundred atmospheres, but thermal distortion turns the water into a column of writhing liquid prisms, hotter than molten glass."

Watts is investigating monsters. Gigantic deep sea monsters, surgically-altered-from-human monsters, faceless jellied-brain computer monsters--which monsters are human, which are more than human, which are less? Watts keeps the story line stripped down to showcase the theme of dehumanization. The anonymous millions who live along the unstable shore of N'AmPac come under threat (a triggered earthquake, and perhaps! a disaster that's slower but even more pitiless) from their own dehumanized creations. But Watts is less interested in whether Lenie can save the dry world as in whether she can save herself. In Starfish, Watts stretches the boundaries of humanity up, down, and sideways to see whether its dimensions reveal anything we'd be proud to be a part of. --Blaise SelbyBlindsight is an unusual condition where the sufferer can respond to visual stimuli, while lacking any conscious feeling of having seen the stimuli. It occurs after a particular form of brain injury.

The first edition of Blindsight, by one of the pioneers in the field - Lawrence Weiskrantz, reported studies of a patient with this condition. It was an important, much cited publication. In the past twenty years, further work has been done in this area, and this new edition brings the book up to date. Retaining the original text, but adding a substantial new chapter and colour illustra! tions, the first section of the book summarizes findings on DB! since t he last published account in 1986. The second part includes information on other new research that has occurred since the last edition. As well as giving an account of research over a number of years into a particular case of blindsight, it provides a discussion of the historical and neurological background, a review of cases reported by other investigators, and a number of theoretical and practical issues and implications.

The book will be valuable for cognitive psychologists and cognitive neuroscientists, as well as philosophers of mind.Robin Cook is backâ€"with a shocking story of medical conspiracy. Today, organ transplants are common miracles of science. But if the supply cannot meet the demand, how far will people go to find donors? Dr. Laurie Montgomery, a forensic pathologist, learns the terrifying answer when she investigates a series of fatal "overdose" of young professionals. Some crimes are beyond comprehension. But seeing is believing...Robin Cook is bac! kâ€"with a shocking story of medical conspiracy. Today, organ transplants are common miracles of science. But if the supply cannot meet the demand, how far will people go to find donors? Dr. Laurie Montgomery, a forensic pathologist, learns the terrifying answer when she investigates a series of fatal "overdose" of young professionals. Some crimes are beyond comprehension. But seeing is believing...This spellbinding story introduces the unforgettable seventeen-year-old narrator, Luke Prescott, who has been brought up in a bohemian matriarchy by his divorced New Age mother, a religious grandmother, and two precocious half-sisters. Having spent a short lifetime swinging agreeably between the poles of Eastern mysticism and New England Puritanism, Luke is fascinated by the new fields of brain science and believes in having evidence for his beliefs. “Without evidence,” he declares, “you just have hope, which is nice, but not reliable.” Luke is writing his college applica! tions when his fatherâ€"a famous television star whom he never! knewâ€" calls and invites him to Los Angeles for the summer. Luke accepts and is plunged into a world of location shooting, celebrity interviews, glamorous parties, and premieres. As he begins to know the difference between his father’s public persona and his private one, Luke finds himself sorting through his own personal mythology.
    
By the end of the summer Luke thinks he has found the answers he’s been seeking, only to discover that the differences between truth and belief are not always easy to spot, and that evidence can be withheld: when Luke returns home, his mother reveals something she knows will change everything for him.
    
With Blind Sight, Meg Howrey gives us a smart, funny, and deeply moving story about truth versus belief, about what we do and don’t tell ourselvesâ€"with the result, as Luke says, that we don’t always know what we know.

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Hannibal Rising (Unrated Widescreen Edition)

• In Red Dragon we learned who he was. In Silence of the Lambs, we learned how he did it. Now comes the most chilling chapter in the saga of Hannibal Lecter the one that answers the most elusive question of all why? Written by Thomas Harris, the best-selling author of the Hannibal book series, this fascinating and terrifying journey into the making of a monster (Pete Hammond, Maxim), reveals for the

(Horror/Suspense) The terrifying Silence of the Lambs prequel that reveals the history of the infamous Hannibal and how he came to be a cannibalistic murderer.Though Hannibal Rising's Lecter (Gaspard Ulliel) is a pussycat compared to Anthony Hopkins in Silence of the Lambs, this sequel's story of revenge is grizzly enough to satisfy lovers of Thomas Harris's epic tale. After young Hannibal (Aaron Thomas) is forced to watch his little sister, Mischa (Helena Lia Tachovska), devoured by s! tarving soldiers in his homeland Lithuania, Hannibal vows to avenge his sister's death by slaying those who committed not only war crimes against the Lecters, but also against other families during WW II. In detailing Hannibal's revenge plan, the film investigates the psychological implications of witnessing cannibalism to justify Hannibal's insatiable appetite for human flesh. The most interesting aspect of Hannibal Risingâ€"its analytical connections drawn between Hannibal's childhood traumas and his murderous adult obsessionsâ€"is also the film's weak point. The links oversimplify Lecter's complex character. For example, though titillating to see flashbacks of Lecter's sister hacked up and boiled while Lecter visits a Parisian meat market, the reference is too obvious. One learns why he excels in his medical school classes dissecting cadavers, and we're given explicit explanation for why he slices off and eats his victims' cheeks. The story only complicates when H! annibal interacts with his sexy Aunt, Lady Murasaki (Gong Li).! When Mu rasaki educates him in the art of beheading, the viewer sees Hannibal's sword fetish as a manifestation of physical lust. --Trinie Dalton

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CONNOR Street Sign Great Gift Idea 100's of names to choose from!

• Sign Size: 4"x 18"
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When 15-year-old Owen (Alex Linz) meets Congressman Lawrence Connor (Steven Weber) at his middle-school graduation, the bookish, friendless boy is flattered to be offered a junior position with Connor`s senatorial campaign. Owen befriends the congressman`s young nephew, Caleb, and as his involvement in the campaign grows, Owen`s innocence is shattered as he discovers the dark underbelly of politics, where business and politics share more than financial interests, and idealism and innocence rarely go unpunished.

Are you a frustrated parent trying to bring up an adolescent?
Are you a frustrated adolescent trying to bring up your parent?

When Shit Happens!!! Learn how to move through the limiting thoughts and into your ! own power with the intent to prosper.
Take control of your life. You are the key to unlocking your creative free will. Take command of the only thing you can, in an uncertain world, YOU.

Now is your chance to help create your own world.

Quit the struggle

Understand the reason why shit happens

Find your self choosing to create your own reality

Can you feel that the structures of the old society are being rocked!! There are real changes in how we see ourselves fitting into the new world. Now is the time to embrace the changes and choose your future!

Change is inevitable you can choose to
This
     Sink
Or that
     Swim

"Are you a frustrated parent trying to bring up an adolescent?Are you a frustrated adolescent trying to bring up your parent?
When Shit Happens!!! Learn how to move through the limiting thoughts and into your own power with the intent to ! prosper. Take control of your life. You are the key to unlocki! ng your creative free will. Take command of the only thing you can, in an uncertain world, YOU.
Now is your chance to help create your own world.
Quit the struggle
Understand the reason why shit happens
Find your self choosing to create your own reality
Can you feel that the structures of the old society are being rocked!! There are real changes in how we see ourselves fitting into the new world. Now is the time to embrace the changes and choose your future!
Change is inevitable you can choose to This     Sink Or that     Swim"
"Are you a frustrated parent trying to bring up an adolescent?Are you a frustrated adolescent trying to bring up your parent?
When Shit Happens!!! Learn how to move through the limiting thoughts and into your own power with the intent to prosper. Take control of your life. You are the key to unlocking your creative free will. Take command of the only thing you can, in an uncertain world, YOU.
Now is your chance! to help create your own world.
Quit the struggle
Understand the reason why shit happens
Find your self choosing to create your own reality
Can you feel that the structures of the old society are being rocked!! There are real changes in how we see ourselves fitting into the new world. Now is the time to embrace the changes and choose your future!
Change is inevitable you can choose to This     Sink Or that     Swim"
This sign is 4"x18" and made with an exterior grade PVC plastic and printed with the best inks in the industry. Perfect for outdoor use for over 5 years or will look great inside. No rusting or fading indoors or out. The sign come with round corners and 2 holes for easy mounting. We carry 1000's of different signs to choose from. You can't go wrong with a ZANYSIGNS Street Sign, the ultimate gift for any occasion!

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Quiksilver Men's Abyss Photo Real Tee, Smoke Heather, X-Large

• Photo real screen print
• Photography by jeff hornbaker, legendary surf photographer
• Screened in neck label
• Soft 30 singles cotton with silicon and enzyme finish

Quiksilver waterman collection abyss premium tee featuring famed surf photographer jeff hornbaker's shot of a diver under the ocean's surface, soft 30 singles cotton

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Amadeus - Director's Cut (Two-Disc Special Edition)

• Director's Cut
• 2-Disc Special Edition

The incredible story of Wolfgang Amadeus Mozart, told in flashback mode by Antonio Salieri - now confined to an insane asylum.The satirical sensibilities of writer Peter Shaffer and director Milos Forman (One Flew over the Cuckoo's Nest) were ideally matched in this Oscar-winning movie adaptation of Shaffer's hit play about the rivalry between two composers in the court of Austrian Emperor Joseph II--official royal composer Antonio Salieri (F. Murray Abraham), and the younger but superior prodigy Wolfgang Amadeus Mozart (Tom Hulce). The conceit is absolutely delicious: Salieri secretly loathes Mozart's crude and bratty personality, but is astounded by the beauty of his music. That's the heart of Salieri's torment--although he's in a unique position to recognize and cultivate both Mozart's talent and career, he's also consumed with envy and ! insecurity in the face of such genius. That such magnificent music should come from such a vulgar little creature strikes Salieri as one of God's cruelest jokes, and it drives him insane. Amadeus creates peculiar and delightful contrasts between the impeccably re-created details of its lavish period setting and the jarring (but humorously refreshing and unstuffy) modern tone of its dialogue and performances--all of which serve to remind us that these were people before they became enshrined in historical and artistic legend. Jeffrey Jones, best-known as Ferris Bueller's principal, is particularly wonderful as the bumbling emperor (with the voice of a modern midlevel businessman). The film's eight Oscars include statuettes for Best Director Forman, Best Actor Abraham (Hulce was also nominated), Best Screenplay, and Best Picture. --Jim EmersonGripping human drama. Sumptuous period epic. Glorious celebration of the music of Wolfgang Amadeus Mozart. This marvelous! winner of eight Academy Awards(R) portrays the rivalry betwee! n the ge nius Mozart (Tom Hulce) and the jealous court composer (Best Actor Oscar(R) Winner F.Murray Abraham) who may have ruined Mozart's career and shortened his life. A note-perfect cinematic event whose immortality was assured from its opening night, Amadeus is an unlikely candidate for the director's-cut treatment. Like one of Mozart's operas, the multiple Oscar-winning theatrical version seemed perfectly formed from the outset--ideal casting, costumes, sets, cinematography, lighting, screenplay, music, music, music--so the reinstatement of an extra 20 minutes simply risks adding "too many notes." Yet though this extended cut can hardly be said to improve a picture that needed no improvement, it does at least flesh out a couple of small subplots and shed new light on certain key scenes. Here we learn why Constanze Mozart bears such ill will towards Salieri when she discovers him at her husband's deathbed, and we see deeper into the reasons why Mozart has no students. The ! structure of the picture is otherwise unaltered.

The director's cut of Amadeus finally accords this masterful work the DVD treatment it deserves. The handsome anamorphic widescreen picture is accompanied by a choice of Dolby 5.1 or Dolby stereo sound options, and it's all contained on one side of the disc. Director Milos Forman and writer Peter Shaffer provide a chatty though sporadic commentary, but they're obviously still too mesmerized by the movie to do much more than offer the odd anecdote. The second disc contains an excellent new hour-long "making of" documentary, with contributions from Forman, Shaffer, Sir Neville Marriner, and all the main actors, taking in the scriptwriting, choice of music, casting, and problems involved in filming in Communist Czechoslovakia with half the crew and extras working for the Secret Police. --Mark Walker

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Herb & Dorothy

• HERB & DOROTHY (DVD MOVIE)

In the early 1960s, Herb & Dorothy Vogel a postal worker and librarian began purchasing the works of unknown Minimalist and Conceptual artists, guided by two rules: the piece had to be affordable, and it had to be small enough to fit in their one-bedroom Manhattan apartment. They proved themselves curatorial visionaries; most of those they supported and befriended went on to become world-renowned artists. HERB & DOROTHY provides a unique chronicle of the world of contemporary art from two unlikely collectors, whose shared passion and discipline defies stereotypes and redefines what it means to be a patron of the arts.This unique documentary debut by Megumi Sasaki is a surprisingly entertaining look into what some artists consider a mundane topic: art collecting. Herb & Dorothy transforms potentially dry subject matter with humor and intrigue into a story that! will warm artists and collectors to each other, not to mention expose the public to an elusive business. Organized chronologically, Herb & Dorothy profiles the Vogels, a Manhattan couple who met in 1960 and began collecting art with their meager incomes from the post office and the Brooklyn Public Library. Starting at a Robert Mangold opening, the documentary shows the now elderly Vogels in action among artists and curators as they attend events as they have for the past 40 years. The film moves between the Vogels in their art-crammed apartment and interviews with artists such as the Christos, Richard Tuttle, Lynda Benglis, Pat Steir, and James Siena, who have appreciated the Vogels' loyal patronage. Indeed, footage of artists speaking so fondly of collectors is a rarity. But besides the praise that is bestowed upon the Vogels here, and the historical recounting of how they constructed one of the best Minimalist and Conceptual art collections to date, Herb & Doro! thy is strengthened by its presentation of alternative per! spective s. Gallerists are interviewed to discuss the problem with collectors buying direct from artists, undercutting the system, so to speak. This capitalist approach seems all the more absurd when one realizes the personal relationships that have been forged between artist and collector. This film shows how the collectors begin from scratch to purchase art, train their eyes to artistic movements, support those movements, and then eventually donate the collection to a museum. It is a story portraying a sheer love of art that transcends the commodification of creative work. Herb & Dorothy is not only a film for art world aficionados; it will surely please anyone in the community who can use a reminder about artistic exchange in an ideal state. --Trinie Dalton

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Divine Secrets of the Ya-Ya Sisterhood: A Novel

• ISBN13: 9780060759957
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

DIVINE SECRETS OF THE YA YA SISTERHOO - DVD MovieGrab your tissues and send the guys away, because Divine Secrets of the Ya-Ya Sisterhood is the most pedigreed chick flick since Steel Magnolias. You can tell by the title and the novelish names of the Louisiana ladies from Rebecca Wells's precious bestseller. First there's Sidda (Sandra Bullock), a successful playwright still wrestling with her manipulative mother, Vivi (Ellen Burstyn), after a traumatic upbringing. Then there's longtime friends Teensy (Fionnula Flanagan), Necie (Shirley Knight), and Caro (scene-stealer Maggie Smith), from Vivi's secret club of "Ya-Ya Priestesses," together since childhood and determined to heal the rift b! etween Sidda and her mom. Through an ambitious flashback structure (including Ashley Judd as the younger Vivi), screenwriter and first-time director Callie Khouri (who wrote Thelma & Louise) establishes a rich context for this mother-daughter reunion. There's plenty of humor to temper the drama, which inspires Bullock's best work in years. Definitely worth a look for the curious, but only fans of Wells's fiction will feel any twinge of loyalty. --Jeff Shannon

When Siddalee Walker, oldest daughter of Vivi Abbott Walker, Ya-Ya extraordinaire, is interviewed in the New York Times about a hit play she's directed, her mother gets described as a "tap-dancing child abuser." Enraged, Vivi disowns Sidda. Devastated, Sidda begs forgiveness, and postpones her upcoming wedding. All looks bleak until the Ya-Yas step in and convince Vivi to send Sidda a scrapbook of their girlhood mementos, called "Divine Secrets of the Ya-Ya Sisterhood." As Sidda struggles to anal! yze her mother, she comes face to face with the tangled beauty! of impe rfect love, and the fact that forgiveness, more than understanding, is often what the heart longs for.

Divine Secrets of the Ya-Ya Sisterhood may call to mind Prince of Tides in its unearthing of family darkness; in its unforgettable heroines and irrepressible humor and female loyalty, it echoes Fannie Flagg's Fried Green Tomatoes at the Whistle Stop Cafe.Wells is a Louisiana-born Seattle actress and playwright; her loopy saga of a 40-year-old player in Seattle's hot theater scene who must come to terms with her mama's past in steamy Thornton City, Louisiana, reads like a lengthy episode of Designing Women written under the influence of mint juleps and Faulkner's Absalom, Absalom!. The Ya-Yas are the wild circle of girls who swirl around the narrator Siddalee's mama, Vivi, whose vivid voice is "part Scarlett, part Katharine Hepburn, part Tallulah." The Ya-Yas broke the no-booze rule at the cotillion, skinny-dipped their way to j! ail in the town water tower, disrupted the Shirley Temple look-alike contest, and bonded for life because, as one says, "It's so much fun being a bad girl!"

Siddalee must repair her busted relationship with Vivi by reading a half-century's worth of letters and clippings contained in the Ya-Ya Sisterhood's packet of "Divine Secrets." It's a contrived premise, but the secrets are really fun to learn.

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