Downloading Nancy Poster Movie B 11x17 Maria Bello Jason Patric Rufus Sewell Amy Brenneman

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Downloading Nancy 11 x 17 Inches Style B Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

When Albert Stockwell (Rufus Sewell) comes home from work one day he finds a note from his wife of 15 years, Nancy (Maria Bello), saying she has gone to see friends. After waiting several days, Albert realizes that his wife is missing. Nancy has met her salvation on the Internet in the form of Louis Farley (Jason Patric). Nancy and Louis, both wounded souls, take comfort in one another through e-mail, pictures, and promises of perverse sexual encounters. Nancy has finally found the one and only thing that can liberate her from the pain in her life. While sh! e pursues the freedom that she feels will only come with ultimate liberation, Albert is left to put the pieces together and try to salvage what is left.Downloading Nancy reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style B mini poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

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Blair Witch Project 2 (Book of Shadows) Movie Poster - 24x36 custom fit with RichAndFramous Black 24 inch Poster Hangers

• Poster Hanger framing is economical and attractive
• No metal clips to damage posters! Hangers included EZ-Hang 8mm hole on back-side.
• Includes Poster with 2 custom fit Poster Hangers for hanging
• Premium Quality RichAndFramous Poster Hangers in matte black to match any decor
• Poster Hangers made in USA of strong, lightweight resin for years of use

IN OCTOBER 1994, THREE STUDENT FILMMAKERS DISAPPEARED
IN THE WOODS NEAR BURKITTSVILLE, MARYLAND,
WHILE SHOOTING A DOCUMENTARY...

FIVE YEARS LATER, THE FILM THEY SHOT BECAME
ONE OF THE MOST PROFITABLE MOTION PICTURES IN HISTORY.

People across America were stunned by the runaway success of "The Blair Witch Project(TM) " -- none more so than the residents of Burkittsville. Suddenly the little western Maryland farming village was flooded with tourists seeking mementos of the fabled Blair Witch. Road signs! disappeared, backpackers clogged local hiking trails, graveyards filled with enthusiasts trying for a firsthand glimpse of the supernatural.

While most Burkittsville residents -- in particular Sheriff Ron Cravens -- were angered by this wave of visitors, others took a more pragmatic approach. Like Jeff Patterson, who started up a business called the Blair Witch Hunt. At first, Patterson simply sold caps, T-shirts, and coffee mugs over the Internet. Then he decided to lead a group of four tourists into the Black Hills himself.

If you saw the film "Book of Shadows: Blair Witch 2, " you know what happened to Jeff Patterson, Kim Diamond, Stephen Ryan Parker, Tristen Ryler, and Erica Geerson.

BUT YOU ONLY KNOW HALF THE STORY UNTIL YOU READ THIS BOOK.

Compiled with the aid of noted paranormal journalist D.A. Stern, the material gathered herein reveals:

The secrets hidden in Jeff Patterson's troubled past The research Stephen and Tristen conducted for their boo! k "The Blair Witch: Hysteria or History?" The eerie similarity! between the Blair Witch and the little-known seventheenth-century legend of Bloody Sam Caine The genesis of the Blair Witch HuntPhotos and news reports relating to the caseThis thoroughly second-rate follow-up to the groundbreaking (and highly profitable) horror flick The Blair Witch Project--produced by Blair Witch directors Daniel Myrick and Eduardo Sanchez--plays with the notions of reality and fantasy that surrounded the hype of the original movie, and attempts to throw in some scares along the way. A year after the release of the original film, a group of five Blair Witch aficionados--four out-of-towners led by one seriously unhinged "tour guide"--venture into the woods outside Burkittsville, Maryland, on a tour of the sites made famous by missing documentarians Heather, Mike, and Josh. After a drunken night of camping out in hopes of communing with the spirit of the Blair Witch, the five wake up to find that their seemingly innocent sleep may have been disturbed! somehow. But what exactly happened? If you're expecting suspense of the first degree and a horrifying payoff similar to the one that climaxed the first film, you'll be sorely disappointed. After retreating to an old, run-down broom factory (get it? Broom factory? Blair Witch? Oh well...), the five go over their videotapes of the night in question to get some answers, and basically wind up screaming at each other for the remainder of the film, and shedding some blood along the way. Documentary filmmaker Joe Berlinger (of the highly acclaimed Paradise Lost and Brother's Keeper) proves that he should definitely stick to nonfiction filmmaking, and the entire cast is grating and unpleasant, aside from a scene-stealing turn by Kim Director as a goth chick with attitude to burn and a no-nonsense approach to this Blair Witch stuff. Strictly for hard-core Blair Witch fans only, and even then this sequel may prove to disappoint. --Mark Englehart This thor! oughly second-rate follow-up to the groundbreaking (and highly! profita ble) horror flick The Blair Witch Project--produced by Blair Witch directors Daniel Myrick and Eduardo Sanchez--plays with the notions of reality and fantasy that surrounded the hype of the original movie, and attempts to throw in some scares along the way. A year after the release of the original film, a group of five Blair Witch aficionados--four out-of-towners led by one seriously unhinged "tour guide"--venture into the woods outside Burkittsville, Maryland, on a tour of the sites made famous by missing documentarians Heather, Mike, and Josh. After a drunken night of camping out in hopes of communing with the spirit of the Blair Witch, the five wake up to find that their seemingly innocent sleep may have been disturbed somehow. But what exactly happened? If you're expecting suspense of the first degree and a horrifying payoff similar to the one that climaxed the first film, you'll be sorely disappointed. After retreating to an old, run-down broom factory (ge! t it? Broom factory? Blair Witch? Oh well...), the five go over their videotapes of the night in question to get some answers, and basically wind up screaming at each other for the remainder of the film, and shedding some blood along the way. Documentary filmmaker Joe Berlinger (of the highly acclaimed Paradise Lost and Brother's Keeper) proves that he should definitely stick to nonfiction filmmaking, and the entire cast is grating and unpleasant, aside from a scene-stealing turn by Kim Director as a goth chick with attitude to burn and a no-nonsense approach to this Blair Witch stuff. Strictly for hard-core Blair Witch fans only, and even then this sequel may prove to disappoint. --Mark Englehart

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Breaking Upwards

• BREAKING UPWARDS (DVD MOVIE)

In a fresh modern spin on Woody Allen s Annie Hall, director Daryl Wein depicts two witty, charmingly klutsy and real New Yorkers but instead of falling in love, they re trying to fall out of love. Like Allen s best work, this film is also bursting with a brilliant cast including Emmy and Tony winner Andrea Martin (SCTV, My Big Fat Greek Wedding); Tony winner Julie White (Transformers, Monsters Vs. Aliens), and Tony nominee Pablo Schreiber (Vicky Cristina Barcelona, TV s The Wire). Daryl and Zoe (played by real-life couple Wein and Zoe Lister-Jones) still care for each other, but the zip has gone out of their romance. They decide to craft a really good breakup: instead of just saying goodbye after all, they still like each other they date four days a week and see other people for the other three days. Simple, right? Not once their mothers and friends and would-be ! lovers get in on the act. Co-written by Wein and Lister-Jones along with Peter Duchan, and based on Wein and Lister-Jones' real-life experiences, Breaking Upwards is the freshest romance in years.

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Columbia River Knife and Tool 5160 Hole in One

• 420J2 Stainless Steel
• Blade locked open and closed
• Non-reflective bead blast finish
• Razor edge knife
• Blade and frame have durable non-reflective bead-blast finish

The simple CRKT® Hitchcock Hole in One golf tool is a small folding knife that's tailored for use on the links. To open the blade, simply press down on the lock release lever and rotate it to either side. Continue rotating until the lock snaps firmly into place in the open position. Because there is no conventional clip, it is a completely ambidextrous knife.

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Earth 2 - The Complete Series

• Actors: Debrah Farentino, Clancy Brown, Jessica Steen, Antonio Sabato.
• Format: Box set, Closed-captioned, Color, Dolby, Full Screen, NTSC.
• Language: English. Subtitles: English, Spanish.
• Region: Region 1 (U.S. and Canada only).
• Not Rated. Run Time: 1025 minutes.

Another Earth is an unusual hybrid of existential rumination on life choices, mind-bending sci-fi supposition, and challenging indie art film that moves at a pace that is often maddeningly oblique. Based on the marketing campaign, which plays up the science-fiction angle and special effects (of which there are very few, consisting mainly of offhand composite shots), the movie seems to be trawling for an audience that may be sorely disappointed by all the roundabout and often repetitive philosophically conceptual ideas that are hard to follow. That's not to say that Another Earth isn't rich! in ideas or absorbing in its own right as a meditation on how specific moments play out and affect the cascade of alternatives that follow in their wake. Using broadly impressionistic and experimental strokes, the story follows the disjointed meanderings of 17-year-old Rhoda, who causes a tragic accident while driving drunk after celebrating her acceptance into college. The collision happens when she becomes distracted by the mesmerizing planetary image glowing above her car's moon roof, which has just been identified as an exact duplicate of Earth. After four years of incarceration, she continues to suffer terrible remorse and tries to find a way to make peace with herself and the older man whose life and family she all but destroyed, and who is now crippled by depression. Her initial self-imposed penance is to adopt the role of an anonymous maid who comes to clean his decrepit house every week. As precious few details are added to their individual and mutual evolution an! d motivation, the constant of the alternate Earth, which has b! een stea dily moving closer (along with its mirror-image Moon), hovers in the day and night sky, gazed upon with wonder and a growing idea that maybe it represents the redemption Rhoda can't find on her own. A corporate contest that will allow an ordinary citizen to make a shuttle trip to Earth 2 (or is it Earth 1?) becomes the catalyst for her belief that she can fundamentally alter both their lives for the better, but the movie never shows its hand in how or if this might work. Another Earth is another of those high-minded indie dramas that relies a little too heavily on rambling structure, shaky handheld digital camera, and arty shots of things like the play of light, clouds, and swirling dust motes to convey the corners of its characters' sometimes fascinating, sometimes inscrutable souls. Much has been made of the film's final shot, which is truly stunning in its unexpectedness and implications. But what those implications are will be cause for unending debate among viewe! rs, many of who may never be able to come up with a satisfying answer. --Ted FryTHE STORY CENTERS AROUND A FAMILY WITH THREE BOYS IN THE 1950S. THE ELDEST SON WITNESSES THE LOSS OF INNOCENCE.The long front lawns of summer afternoons, the flicker of sunlight as it sprays through tree branches, the volcanic surge of the Earth's interior as the planet heaves itself into being--you certainly can't say Terrence Malick lacks for visual expressiveness. The Tree of Life is Malick's long-cherished project, a film that centers on a family in 1950s Waco, Texas, yet also reaches for cosmic significance in the creation of the universe itself. The Texas memories belong to Jack (Sean Penn), a modern man seemingly ground down by the soulless glass-and-metal corporate world that surrounds him. We learn early in the film of a family loss that happened at a later time, but the flashbacks concern only the dark Eden of Jack's childhood: his games with his two younger brothers, his! frustrated, bullying father (Brad Pitt), his one-dimensionall! y radian t mother (Jessica Chastain). None of which unfolds in anything like a conventional narrative, but in a series of disconnected scenes that conjure, with poetry and specificity, a particular childhood realm. The contributions of cinematographer Emmanuel Lubezki and production designer Jack Fisk cannot be underestimated in that regard, and it should be noted that Brad Pitt contributes his best performance: strong yet haunted.

And how does the Big Bang material (especially a long, trippy sequence in the film's first hour) tie into this material? Yes, well, the answer to that question will determine whether you find Malick's film a profound exploration of existence or crazy-ambitious failure full of beautiful things. Malick's sincerity is winning (and so is his exceptional touch with the child actors), yet many of the movie's touches are simultaneously gaseous (amongst the bits of whispered narration is the war between nature and grace, roles assigned to mother and father) an! d all-too-literal (a dinosaur retreats from nearly killing a fellow creature--the first moments of species kindness, or anthropomorphic poppycock?). The Tree of Life premiered at the Cannes Film Festival and won the Palme d'Or there after receiving boos at its press screening. The debate continues, unabated, from that point. --Robert HortonJJ Abrams and Steven Spielberg join forces in this extraordinary tale of youth, mystery, and adventure. Super 8 tells the story of six friends who witness a train wreck while making a Super 8 movie, only to learn that something unimaginable escaped during the crash. They soon discover that the only thing more mysterious than what it is, is what it wants. Experience the film that critics rave is, “filled with unstoppable imagination and visual effects to spare. It will put a spell on you.” â€" Peter Travers, Rolling StoneFew filmmakers have ever had a run at the tables like Steven Spielberg, whose output fro! m 1971's Sugarland Express to, say, 1982's E.T. ! displaye d an amazingly unforced melding of huge set pieces and small human gestures. Even at their most chaotic, they somehow felt organic. Super 8, writer-director J.J. Abrams's authorized tribute to classic Spielbergisms, hits all of the marks (Lived-in suburbia backdrop, check. Awestruck gazes upwards, check. Parental discord, check. Lens flares, amazingly huge check), but its adherence to the formula squelches much of its own potential. Appealing as it is to see a summer movie that retro-prioritizes character development over jittery quick-cut explosions, the viewer is always aware at how furiously it's working to seem effortless. Set in 1979, Abrams's script follows a group of movie-crazy kids attempting to make a zombie flick, only to have their plans cut short by a close encounter with a train derailment. As the military pours over the wreckage and neighbors start disappearing, the gang realizes that their footage contains a cameo appearance by an extremely grumpy gues! t star. For a film whose promotional campaign hinged so strongly on creating an air of mystery, Super 8 is a fairly straightforward melding of E.T. and Jurassic Park, albeit one featuring an oddly schizophrenic monster (he eats people… until he doesn't). Abrams makes his young cast shine (particularly when developing a hint of romance between leads Joel Courtney and Elle Fanning), while also providing a nice character arc for Kyle Chandler, as a widowed deputy who can see his relationship with his son slipping away. Aside from a few primo early jolts, however, the creature-feature aspects feel increasingly shoehorned in alongside the more assured coming-of-age elements. Abrams's film has more than enough bright spots to warrant a viewing, but its insistence on worshipfully following the master's playbook is a bit of a bummer. Imitation isn't always flattering. --Andrew WrightAnother Earth is an unusual hybrid of existential rumination on! life choices, mind-bending sci-fi supposition, and challengin! g indie art film that moves at a pace that is often maddeningly oblique. Based on the marketing campaign, which plays up the science-fiction angle and special effects (of which there are very few, consisting mainly of offhand composite shots), the movie seems to be trawling for an audience that may be sorely disappointed by all the roundabout and often repetitive philosophically conceptual ideas that are hard to follow. That's not to say that Another Earth isn't rich in ideas or absorbing in its own right as a meditation on how specific moments play out and affect the cascade of alternatives that follow in their wake. Using broadly impressionistic and experimental strokes, the story follows the disjointed meanderings of 17-year-old Rhoda, who causes a tragic accident while driving drunk after celebrating her acceptance into college. The collision happens when she becomes distracted by the mesmerizing planetary image glowing above her car's moon roof, which has just been ident! ified as an exact duplicate of Earth. After four years of incarceration, she continues to suffer terrible remorse and tries to find a way to make peace with herself and the older man whose life and family she all but destroyed, and who is now crippled by depression. Her initial self-imposed penance is to adopt the role of an anonymous maid who comes to clean his decrepit house every week. As precious few details are added to their individual and mutual evolution and motivation, the constant of the alternate Earth, which has been steadily moving closer (along with its mirror-image Moon), hovers in the day and night sky, gazed upon with wonder and a growing idea that maybe it represents the redemption Rhoda can't find on her own. A corporate contest that will allow an ordinary citizen to make a shuttle trip to Earth 2 (or is it Earth 1?) becomes the catalyst for her belief that she can fundamentally alter both their lives for the better, but the movie never shows its hand in ! how or if this might work. Another Earth is another of ! those hi gh-minded indie dramas that relies a little too heavily on rambling structure, shaky handheld digital camera, and arty shots of things like the play of light, clouds, and swirling dust motes to convey the corners of its characters' sometimes fascinating, sometimes inscrutable souls. Much has been made of the film's final shot, which is truly stunning in its unexpectedness and implications. But what those implications are will be cause for unending debate among viewers, many of who may never be able to come up with a satisfying answer. --Ted FryA science-fiction series with an ecological theme, EARTH 2 only ran for one season on NBC, and all 22 episodes of the program are collected here. In the distant future, the surface of the Earth has been largely destroyed, and mankind lives in space stations orbiting the planet. A group of space colonists, led by Devon Adair (Debrah Farentino) and John Danzinger (Clancy Brown), are sent to a far off planet to prepare it for colon! ization by the surviving population of Earth. But a mishap sends them careening off-course, crash landing thousands of miles from the proper camp site. EARTH 2 follows the band of colonists as they traverse the planet, encountering dangerous aliens and other humans who view them with distrust and suspicion. By tackling issues like ecology and colonization, EARTH 2 engages important ideas and themes in an entertaining fashion.

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Courageous (The Lost Fleet, Book 3)

• ISBN13: 9780441015672
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the creators of Fireproof comes an inspiring new story about everyday heroes who long to be the kinds of dads that make a lifelong impact on their children. As law enforcement officers, Adam Mitchell, Nathan Hayes, and their partners willingly stand up to the worst the world can offer. Yet at the end of the day, they face a challenge that none of them are truly prepared to tackle: fatherhood. While they consistently give their best on the job, good enough seems to be all they can muster as dads. But they’re quickly discovering that their standard is missing the mark.
They know that God desires to turn the hearts of fathers to their children, but their children are beginning to drift ! farther and farther away from them. Will they be able to find a way to serve and protect those who are most dear to them? When tragedy hits home, these men are left wrestling with their hopes, their fears, their faith, and their fathering. Can a newfound urgency help these dads draw closer to God . . . and to their children?

In the new film COURAGEOUS (from the makers of Fireproof), four police officers are confident and focused when it comes to facing danger on the job. But leading their families at home in a God-honoring way? That takes courage. 

Because it is important to take a faithful, fearless stand in so many areas of life, pastor and COURAGEOUS executive producer Michael Catt offers Courageous Living as a closer look at biblical themes and characters that inspired the greatly anticipated movie. 

Catt brings fresh insight to "stories of people in the Bible who displayed great courage when it would have been easier to play it safe... (who) ch! allenge me to keep moving forward. They demand that I examine ! my prior ities and deal with anything that brings fear to my heart." 

Readers will catch a new wind of bravery in the bold accounts of Abraham ("The Courage to Get Going"), Nehemiah ("The Courage to Face Criticism"), and Ruth ("The Courage to Face an Uncertain Future"). There are also growth opportunities in the stirring stories of Moses, Elijah, Joshua, Daniel, Gideon, Nehemiah, Stephen, and Paul and Timothy.

“A man cannot be passive about what Scripture tells him to do for his family and expect to be found faithful to God in the end. He must see with spiritual eyes and realize that future generations are directly impacted by his daily decisions.”
â€"The Resolution for Men

The Resolution for Men is the inspiring book born out of Courageous, a new film by the makers of Fireproof coming to theaters nationwide in fall 2011. The movie, which presents a powerful story of strong male leadership, is an emotiona! lly charged wake-up call to fathers whose influence upon their children and society is immeasurable. The Resolution for Men follows to challenge men of all ages to become as bold and intentional about embracing their responsibilities as leaders of their homes, marriages, and children.

Written by Stephen and Alex Kendrick, screenwriters of Courageous and authors of New York Times No. 1 best seller The Love Dare (five million copies sold), The Resolution for Men strategically inspires men to reconcile with their past, re-engage in the present by taking full responsibility for their wives and children, and then move forward with a bold and clear resolution for the future. Written in partnership with the movie and Priscilla Shirer’s new book, The Resolution for Women, it is designed to inspire a revolution.

In the new film Courageous (from the makers of Fireproof), four law officers are confid! ent and focused when standing up to the worst the streets have! to offe r. But leading their families at home in a God-honoring way? That takes courage.

Based on the highly anticipated movie, the Courageous Living Bible Study Leader Kit will help facilitate leading men toward living more courageously in four key areas: 

Responsibility: serving, protecting, and casting a vision for their family 
Priorities: focusing on eternal things rather than what is temporary 
Legacy: recognizing a father’s potential impact as a godly role model 
Faith: strengthening a father’s identity in Christ, increasing in wisdom

This dynamic four-week study kit includes one 64-page member book and a DVD-ROM featuring Courageous film clips to support each lesson. In addition there are a number of printable leader helps to assist in preparation for teachingeach lesson.

From the creators of Fireproof comes an inspiring new story about everyday heroes who long to be the kinds of ! dads that make a lifelong impact on their children. As law enforcement officers, Adam Mitchell, Nathan Hayes, and their partners willingly stand up to the worst the world can offer. Yet at the end of the day, they face a challenge that none of them are truly prepared to tackle: fatherhood. While they consistently give their best on the job, good enough seems to be all they can muster as dads. But they’re quickly discovering that their standard is missing the mark.
They know that God desires to turn the hearts of fathers to their children, but their children are beginning to drift farther and farther away from them. Will they be able to find a way to serve and protect those who are most dear to them? When tragedy hits home, these men are left wrestling with their hopes, their fears, their faith, and their fathering. Can a newfound urgency help these dads draw closer to God . . . and to t

From the creators of Fireproof comes an inspiring new story about ev! eryday heroes who long to be the kinds of dads that make a lif! elong im pact on their children. As law enforcement officers, Adam Mitchell, Nathan Hayes, and their partners willingly stand up to the worst the world can offer. Yet at the end of the day, they face a challenge that none of them are truly prepared to tackle: fatherhood. While they consistently give their best on the job, good enough seems to be all they can muster as dads. But they’re quickly discovering that their standard is missing the mark.
They know that God desires to turn the hearts of fathers to their children, but their children are beginning to drift farther and farther away from them. Will they be able to find a way to serve and protect those who are most dear to them? When tragedy hits home, these men are left wrestling with their hopes, their fears, their faith, and their fathering. Can a newfound urgency help these dads draw closer to God . . . and to t

After police officer Mac McDonald loses his son in an accident, years of bitterness and pain erodes his lov! e for his family and leaves him angry with God … and everyone else. Can Mac and his new patrol partner, Sgt. Sam Wright, somehow join forces to help one another when it’s impossible to look past their differencesâ€"especially the most obvious one? Every day, we have the opportunity to rebuild relationships and heal wounds by extending and receiving God’s grace. Offer The Grace Card … and never underestimate the power of God’s love. The Grace Card stars Michael Joiner, Michael Higgenbottom and Academy Award Winner, Louis Gossett Jr.A Christian film about grace and forgiveness, The Grace Card tackles prejudice, loss, and grief. The death of a child 17 years ago filled Mac's heart with anger and bigotry and crippled his relationship with his wife and youngest son. In his job as a policeman, he's paired up with Sam, a black officer who's also a part-time preacher and whom Mac dislikes intensely. Sam has also just received the promotion Mac thinks ! he deserved himself. The difficult partnership affects each ma! n and hi s family in very different and significant ways. Sam struggles with the conflict between his desire as a minister to love and accept everyone, and his intense feelings of anger and even hate toward his fellow officer. That struggle almost turns him away from his calling as a preacher. A crisis on the job threatens to decimate what's left of Mac's family and brings the conflict between Mac and Sam to a climax. Just when the situation looks like it might destroy both men, a few well-chosen words and a seeming coincidence reveal that God has made Sam's and Mac's paths cross for a reason. What's more, their interaction with one another causes both men to experience a personal and spiritual growth that neither could have anticipated. The expressions of bigotry in the film are hard to stomach, the sermonizing may be off-putting to some, and the events are sometimes quite predictable, but the portrayal of a city torn in half by racial prejudice is compelling and the message that fo! rgiveness, rather than justice, offers the best solution is certainly worth considering. --Tami Horiuchi

Written in partnership with Sherwood Pictures' upcoming film, COURAGEOUS, in The Resolution for Women, popular speaker and author Priscilla Shirer challenges all women to be intentional about embracing and thriving in God’s beautiful and eternal calling on their lives. 

Like the men in the movie who resolve to fully accept their responsibilities before God, Shirer explains how today's women can and should live out their own resolution. It is "a defining banner that hangs over your life, written in the ink of your own choices." A woman's banner should be an accurate reflection of who she desires to be-someone completely Christ-centered who blesses and changes things in her world for the better. 

The Resolution for Women inspires women with intentional, spirit-filled living from three unique angles. Section one, entitled, "This Is! Who I Am," helps a woman define herself as "authentically me,! purpose fully feminine, surprisingly satisfied, and faithfully His." Section two, "This Is What I Have," invites her to value "my best, my blessing, my honor, and my heart." And Section three, "This Is What Matters To Me," focuses on joyfully honoring God as a wife, mother, and family member while resolving to live with the grace that leaves a godly legacy. The Resolution for Women is designed to inspire a revolution.

The Lost Fleet continues its perilous journey home.

Badly damaged and low on supplies, the Alliance Fleet is raiding Syndic mines for raw materials-and Captain "Black Jack" Geary hopes they can continue to remain one step ahead of their enemies. But the Syndics are the least of Geary's worries when he learns of the existence of aliens with the power to annihilate the human race.

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After Midnight

• Fiction
• Thriller

Sanna and her ravishing friend Gerti would rather speak of love than politics, but in 1930s Frankfurt, politics cannot be escaped--even in the lady's bathroom. Crossing town one evening to meet up with Gerti's Jewish lover, a blockade cuts off the girls' path--it is the Fürher in a motorcade procession, and the crowd goes mad striving to catch a glimpse of Hitler's raised "empty hand." Then the parade is over, and in the long hours after midnight Sanna and Gerti will face betrayal, death, and the heartbreaking reality of being young in an era devoid of innocence or romance.

In 1937, German author Irmgard Keun had only recently fled Nazi Germany with her lover Joseph Roth when she wrote this slim, exquisite, and devastating book. It captures the unbearable tension, contradictions, and hysteria of pre-war Germany like no other novel. Yet even as it exposes huma! n folly, the book exudes a hopeful humanism. It is full of humor and light, even as it describes the first moments of a nightmare. After Midnight is a masterpiece that deserves to be read and remembered anew.

"Our sister is marrying a vampire."

When the ever practical Caroline Cabot first hears those words from the lips of her fanciful youngest sister, she accuses Portia of having a wild imagination.

But when she discovers their sister Vivienne is actually being courted by Adrian Kane, the mysterious viscount rumored to be a vampire, she decides to accept his invitation to a midnight supper and do some sleuthing of her own. To both her delight and her dismay, she soon finds herself falling under Kane's bewitching spell.

After all, what's a proper young lady to do when her sister's suitor arouses more than just her suspicions?

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