Freddy's Dead The Final Nightmare - Robert Englund - Movie Photo Print

• Movie Photo Print
• New and Unused
• Great For Framing
• Ideal As A Gift

A child psychologist`s nightmares lead her to the town of Springwood and Freddy Krueger.Freddy, a monstrous mass murderer, makes his last appearance in the dreams of the teenagers he stalks. Sequel to "The Dream Child."In the trinity of modern horror films, there's the father (Michael Myers of Halloween), the son (Jason of Friday the13th fame, a knockoff), and the unholy spirit, Freddy Krueger of the Nightmare on Elm Street films. The spectral man who haunted the nightmares of unsuspecting teenagers with deadly consequences, Freddy (as played by Robert Englund) was a truly frightening bogeyman and icon for the '80s. Unlike the hockey-masked Jason, who dispatched horny teenagers with mechanical and monotonous ease (he never talked, never took off his mask), Freddy was a truly creativ! e and diabolical villain, with a sadistic and blackly funny personality. The hallmarks of the Nightmare on Elm Street series were imaginatively gruesome suspense pieces, set in the overactive imaginations of the teen victims. The first film of the series, Wes Craven's truly intelligent and scary film, was so hugely successful it begat not one, not two, but six more sequels, each pretty much diluting the originality and horror of its predecesor. (Horror fans will fondly remember Drew Barrymore's assertion in Scream that the first Nightmare film was great but all the rest sucked.) Still, there's fun to be had in the remaining films in the series, seeing as a number of aspiring filmmakers cut their teeth on the continuing saga of Freddy. Frank Darabont (The Shawshank Redemption) and Chuck Russell (The Mask) worked on the third installment, Dream Warriors (starring a young Patricia Arquette), and Renny Harlin (Die Hard 2) ! came to prominence with the ingeniously macabre fourth film, The Dr eam Master, coscripted by Brian Helgeland (L.A. Confidential). Craven and original star Heather Langenkamp did return for the last film, New Nightmare, which presaged the tongue-in-cheek postmodernism of the Scream films and resharpened Freddy's ability to scare. --Mark EnglehartMovie Photo Print
Measures 8" x 10" (inches)
New and unused and will be shipped to you packed in plastic and then shipped securely.

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Guerrilla - The Taking of Patty Hearst

• The award-winning and internationally acclaimed film, GUERRILLA: THE TAKING OF PATTY HEARST is a gripping, unparalleled account of the most sensational kidnapping in American history. On February 4, 1974, college student Patty Hearst (the granddaughter of publishing tycoon William Randolph Hearst) was boldly snatched from her apartment by a flamboyant terrorist group called the Symbionese Liber

The award-winning and internationally acclaimed film, GUERRILLA: THE TAKING OF PATTY HEARST is a gripping, unparalleled account of the most sensational kidnapping in American history."Death to the fascist insect that preys on the life of the people!" declared the Symbionese Liberation Army, the domestic terrorist group that kidnapped newspaper heiress Patty Hearst and demanded a massive food program for the poor in exchange for her release. Guerrilla: The Taking of Patty Hearst examines this se! nsational case with a measured, sardonic view of every side; the SLA was born in the crucible of the Vietnam War and Kent State, but the documentary neither forgives nor condemns their actions (which include bank robbery, bombings, and murder). Instead, the SLA and the media bonanza that surrounded them become an astonishing petri dish of social and political trends that resonate with even more force today. Using interviews with reporters and surviving members of the SLA, footage from news reports and Hollywood movies, director Robert Stone (Radio Bikini) has crafted a smart, suspenseful thriller that mesmerizes even if you know the whole history. A superb documentary; the dvd is even better as it includes uncut footage from the security cameras of one of the bank robberies; the sentencing of the 2003 trial of four SLA members; complete audio recordings of Patty Hearst's media statements; and a balanced, thoughtful commentary from Stone. --Bret Fetzer

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CrazyOnDigital 3 AntiGlare Screen Protectors for Apple iPad 2 2nd Generation 16GB 32GB 64GB 3G Wifi

• Designed specifically for Apple iPad 2 Wifi 3G 16GB 32GB 64GB
• Reducing glare for outdoor use
• Great Unique and Bright Design
• Must have product for Apple iPad 2 Owners
• NOTE: The screen protector has 3 layers. Remove the top layer by peeling off the sticker.

Tim Allen, Sigourney Weaver, Ray Liotta and Kelsey Grammer lead an all-star cast in this outrageously funny comedy! When Tommy (Tim Allen) gets released from the big house, he discovers life on the outside is even crazier than it was behind bars. Tommy's eccentric sister won't get off his back, his sexy ex-girlfriend won't leave him alone, and his former partner in crime won't take no for an answer. Through it all, Tommy just might find the girl of his dreams and get convicted of love in the first degree.

Special features:

- Inside Crazy on the Outside

- Gag reel

- Digital Copy for portable media playersTim Allen, Sigourney Weaver, Ray Liotta and Kelsey Grammer lead an all-star cast in this outrageously funny comedy! When Tommy (Tim Allen) gets released from the big house, he discovers life on the outside is even crazier than it was behind bars. Tommy's eccentric sister won't get off his back, his sexy ex-girlfriend won't leave him alone, and his former partner in crime won't take no for an answer. Through it all, Tommy just might find the girl of his dreams and get convicted of love in the first degree.

Special features:

- Inside Crazy on the Outside

- Gag reel

- Digital Copy for portable media playersStudio: Tcfhe Release Date: 10/04/2011 Run time: 96 minutes Rating: Pg13Studio: Tcfhe Release Date: 10/04/2011 Run time: 96 minutes Rating: Pg13

Designed specifically for Apple iPad 2 Wifi 3G 16GB 32GB 64GB

Guards against scratches, smears, dust and dirt, and keeps your LCD screen in perfect condition. Screen protectors provide crystal-clear visibility and do not interfere with touch-screen operation. Anti-glare function helps reducing glare for outdoor use. Each overlay is custom designed to fit, protect, and enhance the performance of your Apple iPad 2. Applied with a mild adhesive, each screen protector will not leave a residue on your screen and can be expected to last for as long as you wish to keep it on.

NOTE: The screen protector has 3 layers. Remove the top layer by peeling off the sticker.

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Fargo (Special Edition)

• 2003 - MGM - Fargo - Rare Special Edition
• Frances McDormand, William H. Macy, Steve Buscemi
• Rated R - Director: Joel Coen - DVD
• Special Features - Widescreen / Standard Versions
• Collectible

Nominated* for seven Oscars(r) and winner of two, this darkly amusing thriller combines a first-rate cast, "a dazzling mix of mirth and malice" (Rolling Stone) and a bizarre kidnapping plot that unravels the Midwest like never before. Starring Frances McDormand, William H. Macy and Steve Buscemi, Fargo is a brilliant tour de force from the creators of Raising Arizonaand O Brother, Where Art Thou? *1996: Best Picture, Director, Actress (McDormand, won), Supporting Actor (Macy), Original Screenplay (won), Cinematography, EditingLeave it to the wildly inventive Coen brothers (Joel directs, Ethan produces, they both write) to concoct a fiendishly clever kidnap caper that's simu! ltaneously a comedy of errors, a Midwestern satire, a taut suspense thriller, and a violent tale of criminal misfortune. It all begins when a hapless car salesman (played to perfection by William H. Macy) ineptly orchestrates the kidnapping of his own wife. The plan goes horribly awry in the hands of bumbling bad guys Steve Buscemi and Peter Stormare (one of them being described by a local girl as "kinda funny lookin'" and "not circumcised"), and the pregnant sheriff of Brainerd, Minnesota, (played exquisitely by Frances McDormand in an Oscar-winning role) is suddenly faced with a case of multiple murders. Her investigation is laced with offbeat observations about life in the rural hinterland of Minnesota and North Dakota, and Fargo embraces its local yokels with affectionate humor. At times shocking and hilarious, Fargo is utterly unique and distinctly American, bearing the unmistakable stamp of its inspired creators. --Jeff Shannon

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Conan the Barbarian Poster - Teaser Flyer for 2011 Movie Jason Momoa 2DT

• Teaser Flyer to promote the 2011 movie remake of Conan The Barbarian
• Conan The Barbarian Movie Teaser Flyer
• Size 11 x 17 inches approx (28 x 43 cm)
• Window display/ Telephone Pole Flyer sized Poster

You think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great deal of hoo-hah about the forging of swords. As the character grows into manhood, played by Jason Momoa (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. Th! e "origin story" plot is a workable way into the world of pulp writer Robert E. Howard's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursues power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't already feel that from the chaotic cutting--since the movie was originally released in uninspired 3-D, this visual unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got ! the pectorals, and generally comes across as a likable sort. O! f course , Conan isn't supposed to be a likable sort, so his casting will likely trigger an unexpected response in viewers familiar with the 1982 version of the character. You will miss Arnold Schwarzenegger. --Robert HortonYou think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great deal of hoo-hah about the forging of swords. As the character grows into manhood, played by Jason Momoa (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. The "origin story" plot is a workable way into the world of pulp writer Robert E. Howa! rd's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursues power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't already feel that from the chaotic cutting--since the movie was originally released in uninspired 3-D, this visual unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got the pectorals, and generally comes across as a likable sort. Of course, Conan isn't ! supposed to be a likable sort, so his casting will likely trig! ger an u nexpected response in viewers familiar with the 1982 version of the character. You will miss Arnold Schwarzenegger. --Robert HortonYou think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great deal of hoo-hah about the forging of swords. As the character grows into manhood, played by Jason Momoa (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. The "origin story" plot is a workable way into the world of pulp writer Robert E. Howard's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursu! es power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't already feel that from the chaotic cutting--since the movie was originally released in uninspired 3-D, this visual unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got the pectorals, and generally comes across as a likable sort. Of course, Conan isn't supposed to be a likable sort, so his casting will likely trigger an unexpected resp! onse in viewers familiar with the 1982 version of the characte! r. You w ill miss Arnold Schwarzenegger. --Robert HortonWHEN HIS PARENTS ARE SAVAGELY MURDERED, CONAN IS CAPTURED AS ACHILD AND AFTER FIFTEEN YEARS OF AGONY, FORGES A MAGNIFICENTBODY AND INDOMITABLE SPIRIT. ONCE FREE, HE EMBARKS UPON A QUEST FOR ULTIMATE POWER TO SLAY THE EVIL ARCH-VILLAIN THAT ENSLAVED HIM. FEATURES: SPECIAL EFFECTS AND MUCH MORE.Conan the Barbarian, the movie that turned Arnold Schwarzenegger into a global superstar, is a prime example of a match made in heaven. It's the movie that macho maverick writer-director John Milius was born to make, and Arnold was genetically engineered for his role as the muscle-bound, angst-ridden hero created in Robert E. Howard's pulp novels. Oliver Stone contributed to Milius's screenplay, and the production design by comic artist Ron Cobb represents a perfect cinematic realization of Howard's fantasy world. To avenge the murder of his parents, Conan tracks down the evil Thulsa Doom (James Earl Jones) with the help of Qu! een Valeria (played by buff B-movie vixen Sandahl Bergman) and Subotai the Mongol (Gerry Lopez). Aptly described by critic Roger Ebert as "the perfect fantasy for the alienated pre-adolescent," this blockbuster is just as enjoyable for adults who haven't lost their youthful imagination. --Jeff ShannonCONTAINS: CONAN THE BARBARIAN: AND CONAN THE DESTROYER.Following his parents' savage murder, young Conan (Arnold Schwarzenegger) is captured by the cold-blooded Thulsa Doom (James Earl Jones) and spends the next fifteen years in agony, first chained to the Wheel of Pain and then enslaved as a Pit Fighter. Rather than allowing this brutal fate to conquer him, Conan builds an incomparable body and an indomitable spiritâ€"both of which he needs when he suddenly finds himself a free man. Aided by his companions Subotai the Mongol (Gerry Lopez) and Valeria, Queen of Thieves (Sandahl Bergman), Conan sets out to solve the "riddle of steel," seize ultimate power and, finally, ta! ke revenge on the warlord who killed his family.Conan the B! arbarian , the movie that turned Arnold Schwarzenegger into a global superstar, is a prime example of a match made in heaven. It's the movie that macho maverick writer-director John Milius was born to make, and Arnold was genetically engineered for his role as the muscle-bound, angst-ridden hero created in Robert E. Howard's pulp novels. Oliver Stone contributed to Milius's screenplay, and the production design by comic artist Ron Cobb represents a perfect cinematic realization of Howard's fantasy world. To avenge the murder of his parents, Conan tracks down the evil Thulsa Doom (James Earl Jones) with the help of Queen Valeria (played by buff B-movie vixen Sandahl Bergman) and Subotai the Mongol (Gerry Lopez). Aptly described by critic Roger Ebert as "the perfect fantasy for the alienated pre-adolescent," this blockbuster is just as enjoyable for adults who haven't lost their youthful imagination. --Jeff ShannonConan the Barbarian by Basil Poledouris

This product is man! ufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.Conan The Barbarian Movie Teaser Flyer

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Happily N'ever After (Widescreen Edition)

• Actors: George Carlin, John Di Maggio, Andy Dick, Sarah Michelle Gellar, Lisa Kaplan.
• Format: AC-3, Animated, Closed-captioned, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC.
• Language: English. Subtitles: English, Spanish.
• Region: Region 1 (U.S. and Canada only).
• Rated PG. Run Time: 87 minutes.

Once upon a time will n'ever be the same again. Sleeping Beauty, Rapunzel, and Jack from the Beanstalk are all about to live happily ever after when the balance between good and evil gets thrown out of whack. It's up to Cinderella - aka Ella (Sarah Michelle Gellar) - to save the day by taking on her power-hungry stepmother, Frieda (Sigourney Weaver). But this time, Ella will have to do it without her Prince Charming (Patrick Warburton) as she joins forces with an unlikely army of dwarves, faries, and the Wizard's bumbling assistants, Mambo (Andy Dick) and Munk (! Wallace Shawn). Your favorite fairy tales are turned upside down in this funny, fast-paced adventure that teaches the lesson that - no matter who you are - you have the power to affect how your story turns out!With the success of Shrek, more irreverent animated fairy tales (like Hoodwinked) were inevitable. Unfortunately, the original blockbuster set the bar so high--for characterization, humor, and heart--that other such 'toons are sure to seem redundant. Neither as clever nor as intricately rendered as the tale of the great green ogre, Happily N'Ever After is no exception. That said, small children may find it easier to follow, i.e. no Matrix references. As with the live-action Ella Enchanted, the CGI-animated story revolves around a downtrodden lass named Ella (Sarah Michelle Gellar). Her full name, naturally, is Cinderella. The man of her dreams is pea-brained Prince Humperdink (Patrick Warburton). Little does she know that royal dishwasher R! ick (Freddie Prinze Jr., Gellar's real-life husband) has his e! ye on he r. When the Wizard (George Carlin) goes off on a golfing vacation, he leaves bumbling assistants Munk (Wallace Shawn) and Mambo (Andy Dick) in charge. In no time at all, they get into a scuffle, and Ella's evil stepmother, Frieda (Sigourney Weaver), swoops in to take control of Fairy Tale Land. Her first order of business: Let the bad guys win. Consequently, Sleeping Beauty continues to doze, the Seven Dwarves wind up in jail, etc. Ella joins forces with Rick to set things right. Along the way, she realizes that the lowly lad has more princely qualities than the actual prince, and Frieda's reign turns out to be shorter than intended. It's not a bad idea, but the movie drags and the tunes are unmemorable. --Kathleen C. Fennessy
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Professionally Framed Friday the 13th Part 5: A New Beginning (Jason Still Haunts You) Movie Poster - 24x36 with RichAndFramous Black Wood Frame

• Your professionally framed poster ships ready-to-hang!
• Premium quality RichAndFramous wood frame with 1.25 inch wide moulding.
• Lightweight, glare-reducing styrene front secures and protects artwork.
• Custom Made for years of quality enjoyment.
• Frame size approximately 25.00 by 37.00 inches for print size 24.00 by 36.00.

They thought Jason was dead. They thought he was gone for good. But it turns out, they're all wrong . . . dead wrong! Homicidal maniac Jason returns from the grave to cause more bloody mayhem in Friday The 13th: A New Beginning - Deluxe Edition. Young Tommy Jarvis may have escaped from Crystal Lake, but he's still haunted by the gruesome events that happened there. When gory murders start happening at the secluded halfway house for troubled teens where he now lives, it seems like his nightmarish nemesis, Jason Voorhees, is back for ! more sadistic slaughters. But as things spiral out of control and the body count rises, Tommy begins to wonder if he's become the killer he fears most. Witness the true terror as Jason and Tommy battle once more in this spine-tingling descent into death and madness!

SPECIAL FEATURES:
Commentary by director/co-screenwriter Danny Steinmann with cast and crew
Lost Tales from Camp Blood - Part 5
The Crystal Lake Massacres Revisited Part II
New Beginnings: The Making of Friday the 13th: Part V A New Beginning
Original Theatrical TrailerJason is back, hockey mask and all. And he's up to his old maniacal tricks in Friday The 13th, Part V: A New Beginning. This time he seems to have set his sights on the young patients at a secluded halfway house. And more than a few of his teen targets end up in half, in quarters...you name it, Jason does it.Friday the 13th
The film takes place years after a young boy! named Jason drowns in a lake while attending Camp Crystal Lak! e and sh ortly thereafter, the camp closes. Flash forward to the present, where the owner decides to re-open the camp and one by one, the counselors have mysteriously been murdered by an unseen person.

Friday the 13th, Part 2
The second installment picks up with Jason Voorhees, presumed dead from drowning years ago, exacting revenge on the innocent campers at "Camp Blood." Living as a hermit in the woods all these years, Jason witnesses the graphic murder of his mother and decides to wreak havoc on everyone at the camp - killing each camp counselor one by one.

Friday the 13th, Part 3
Vacationing teenagers take off for a weekend of relaxation at Camp Crystal Lake. Planning a few days of sex, drugs and rock-and-roll, they are in for a series of frightening surprises when a local motorcycle gang follows the teenagers back to their campsite, only to find a persistent Jason with an agenda of his own. Ad! orned with his trademark hockey mask for the first time in the series, Jason delivers non-stop chills and thrills as everyone on the lake must fight for their lives. Part III includes cast commentary by author Peter Bracke and actors Larry Zerner, Paul Kratka, Dana Kimmell and Richard Brooker.

Friday the 13th, Part IV: The Final Chapter
Jason resurfaces from a seemingly deadly massacre and returns to Camp Crystal Lake to a new set of prey. Starring a young Corey Feldman as Tommy Jarvis, it seems Jason has finally met his match in the 12-year old horror movie maven. Enlisting the help of a local hunter, Tommy and his sister must rely on one another to help defeat Jason, while also trying to avoid their own demise.

Friday the 13th, Part V: A New Beginning
With Jason dead, someone new has begun a killing spree of their own, using Jason's M.O. and preying on inhabitants of a sanctuary.
!
Friday the 13th, Part VI: Jason Lives< br />Tommy returns to the grave to ensure that Jason is indeed dead. Instead of remaining dead, Jason is accidentally brought back to life by Tommy and now Tommy must stop all the mindless killing and make sure Jason dies for good this time. Part VI features commentary by director Tom McLoughlin.

Friday the 13th, Part VII: The New Blood
The film centers on Tina Shepard, a young girl with telekinetic powers who believes she drowned her father in Crystal Lake. Returning to the site as a method of supposedly helping her cope with her grief, Tina accidentally frees Jason from his watery grave, only to lead to more killing sprees by the man in the infamous hockey mask. Part VII features commentary by Kane Hodder and director John Carl Buechler and Part VIII features commentary by director Tom McLoughlin.

Friday the 13th, Part VIII: Jason Takes Manhattan
A graduating class of a local high school ! vacation on a cruise ship and unbeknownst to them, Jason is a stowaway on the same ship. Slowly killing students one at a time, Jason eventually sinks the boat, stranding the few lone survivors in Manhattan. Among those survivors, is Rennie, who believes Jason attempted to drown her as a child. Fighting for her their lives, Rennie and the other survivors must make sure Jason dies once and for all.

A featurette "Tales From the Cutting Room," in which exclusive deleted scenes and footage is revealed for the first time. An 8-part featurette "The Friday The 13th Chronicles," which looks at the legacy of the films throughout their history, featuring cast and crew commenting on each film and why they appeal to audiences. Includes Adrienne King, Amy Steel, Corey Feldman, Kane Hodder, Lar Park Lincoln, Betsy Palmer, Tom Savini and directors Sean Cunningham, Tom McLoughlin, Rob Heddon, Joseph Zito and John Carl Buechler. A 3-part featurette "Secrets Galore Behind The Gor! e," which looks at the work of master make-up effects designer! Tom Sav ini in Part 1 and Part IV and John Carl Buechler in Part VII. Includes rare and never-before-seen footage, drawings and stills illustrating the make-up techniques used to create Jason and achieve elaborate death scenes. A featurette "Crystal Lake Victims Tell All!" in which cast and crew from various films share amusing anecdotes. Includes Corey Feldman, Larry Zerner, Adrienne King, Amy Steel, Lar Park Lincoln and directors. A featurette "Friday Artifacts and Collectibles," which looks at props and collectables from the films. The theatrical trailers from all 8 movies except Part VI, which is represented by the teaser trailer.Five discs gather the first eight movies in the Friday the 13th series, plus a batch of behind-the-scenes featurettes. You can track the rise, fall, and endless resurrections of Jason Voorhees, from the original 1980 film to Jason's self-kidding trip to the Big Apple. Horror fans eat up packages such as this, but there's something odd about the d! eluxe treatment for a series that spotlighted atrocious acting, pitiful production values, and inane storytelling.

You'll spot a few future "name" actors in various installments: Kevin Bacon is morbidly dispatched in the first one. But in general, the dominant focus is how to kill horny teenagers, most of whom have gathered at Camp Crystal Lake in the misguided belief that the curse of the impossible-to-kill Jason has worn off. The first movie has a certain raw, crummy ability to shock, Part 2 is a dismal retread, and Part 3 actually features interesting use of 3-D, which doesn't translate to its flat DVD version. The fourth is boldly subtitled The Final Chapter, and we all know where that went, but it does have Crispin Glover doing a funky dance. A New Beginning and Jason Lives continue Jason's bad mood, maybe because the hockey mask doesn't fit right. The seventh chapter, The New Blood, stakes Jason against a worthy oppone! nt (Crystal Lake's answer to telekinetic Carrie), but the resu! lt is th e same. Part 8's subtitle, Jason Takes Manhattan, is wittier than the movie itself, as Jason menaces an unlucky cruise ship of high-schoolers bound for New York--where Mr. J fits right in.

Some of the films come with commentaries from directors or cast members, including heralded Jason performer Kane Hodder. Brief documentaries (ranging from five to 15 minutes) cover separate installments with amusing anecdotes, including interviews with Sean S. Cunningham, Tom Savini, and various actors. In another doc, actors speak of the fraternity of young actors who've been slaughtered by Jason over the years. A deleted-scenes section is skimpy and not very interesting, while the tricks of special-effects gore merit a film to themselves. It's a customer-savvy DVD box, even if the effect of watching a bunch of this stuff together is a little dispiriting. --Robert Horton

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Citizen Kane (Two-Disc Special Edition)

• A fascinating story of idealism corrupted by wealth, Citizen Kane is frequently named the greatest film of all time and is credited with inspiring more directorial careers than any other film in history. Orsen Welles and Agnes Moorehead star.Running Time: 119 min. Format: DVD MOVIE Genre: DRAMA Rating: PG Age: 053939656527 UPC: 053939656527 Manufacturer No: T6

Orson Welles’ timeless masterwork is more than a groundbreaking film. Presented here in a magnificent 70th anniversary digital transfer with revitalized digital audio from the highest quality surviving elements, it is also grand entertainment, sharply acted and superbly directed with inspired visual flair. Depicting the controversial life of an influential publishing tycoon, this Best Original Screenplay Academy Award Winner (1941) is rooted in themes of power, corruption, vanityâ€"the American Dream lost in the mystery of a dyin! g man’s last word: “Rosebud.”Arguably the greatest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconsciousness. As Kan! e, Welles even ushers in the influence of Bertolt Brecht on fi! lm actin g. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films from the 20th century. --Tom KeoghThe story of an immensely wealthy newspaper publisher, as he is remembered by his friends and former wife after his death. Loosely based on the life of William Randolph Hearst. Frequently called the greatest film of all time.
No Track Information Available
Media Type: DVD
Artist: WELLES/COTTEN/COMINGORE/MOOREH
Title: CITIZEN KANE
Street Release Date: 09/24/2002
Domestic
Genre: DRAMAArguably the greatest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mot! her as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconsciousness. As Kane, Welles even ushers in the influence of Bertolt Brecht on film acting. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films from the 20th century. --Tom Keogh

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