Tuesday, November 15, 2011

Wallmonkeys Peel and Stick Wall Decals - Cape of Good Hope, Kap Der Guten Hoffnung - 36"W x 20"H Removable Graphic

  • ALL orders CUSTOM printed. When you place an order, the image is made in the USA, just for you!
  • Printed on WHITE, premium, self-adhesive, re-positionable fabric paper.
  • No nails, frames or glue. No professional installation required.
  • Simply peel and stick! Easy to remove and re-apply.
  • BE SURE you ordered the right size for your intended use!
CAPE OF GOOD HOPE is a colorful and vibrant mosaic of love and hope. As upbeat and heartwarming as the blockbuster hit LOVE ACTUALLY, this film beautifully connects a number of storylines, all revolving around a Cape Town animal rescue shelter. Its founder, Kate, who seems to relate better to dogs than to people, is involved with a married man, blinding her to the romantic interest of a kind veterinarian. Her receptionist, Sharifa, desperately wants to have a child and is taking extraordinary steps to do so. Meanwhile, Jean ! Claude, the shelter’s handyman, finds himself torn between his love for a single mother and his desire to immigrate to Canada.

Filmed entirely on location in the Cape Town coastal community of Hout Bay, CAPE OF GOOD HOPE is populated with likable characters you come to care about â€" ordinary people who want to improve their lives. As unexpected plot twists demonstrate, this is possible only by taking a chance. An original romantic comedy, CAPE OF GOOD HOPE will win you over and lift your spirits.

Watch the trailer: http://www.capemovie.comCape of Good Hope is an uplifting collection of engaging melodies and lush arrangements of piano-featured instrumentals. Features guest artist appearances by David Sanborn, Stephen Bishop, Dan Fogelberg, Chris Botti, Richard Elliot and many others. This is the follow-up to Jim's debut album, "Northern Seascape".The first slave reached the Cape in 1653, a year after the first white settler party under Jan van Riebeeck. Thousands ! more would follow.

Slavery was to remain an instit! ution he re until the end of the Dutch period in 1795, and well beyond, for it was not until 1834, under British administration, that Cape slaves were finally emancipated. In Early Slavery at the Cape of Good Hope, Karel Schoeman describes the transplanting of slavery from the Dutch colonies in the East and the first sixty years of its development under local conditions, basing his account mainly on contemporary sources and providing as much information on individual slaves and their lives as these allow. Attention is likewise given to the gradual manumission of slaves and the slow development of a 'free black' community at the Cape towards the close of the seventeenth century.WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally s! ee and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices.

  • WallMonkeys are intended for indoor use only.
  • Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for!
  • Removable and will not leave a mark on your walls.
  • 'Fotolia' trademark will be removed when printed.
  • Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.
  • Collateral Damage [Blu-ray]

    • Surging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Washington, DC. The fanatic plans to strike again in Washington?but how? When? Whe
    ARNOLD SCHWARZENEGGER DELIVERS A NAIL-BITING EXCITEMENT AND BOLD ONE-MAN HEROICS AS A LOS ANGELES FIREMAN WHO SEEKS REVENGE AFTER HIS WIFE AND SON ARE KILLED IN A TERRORIST BOMBING. SCHWARZENEGGER TRACKS THE MAN RESPONSIBLE FROM COLOMBIA TOWASHINGTON, D.C. IN A RACE TO STOP HIM BEFORE HE STRIKES AGAIN.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Lo! s Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon Through all their adventures, the bond of the Sisterhood has remained steadfast and unshakeable. But for the first time, the Sisterhood verges on falling apart when the ladies have to choose betw! een two difficult assignments. The first job guarantees a huge! paychec k; the second offers a presidential pardon - and a chance to finally emerge from hiding.For the sake of their union, the gals put aside their differences and focus on a new mission. A mysterious Washington, D.C. political operative needs them to track down a computer hacker who has stolen a highly classified list of fundraisers' names. With a presidential election looming, the girls soon realise that the job is a lot more dangerous than they had anticipated. Will their client come through with his promise? And can the ladies stop fighting - and stay alive - long enough to see it happen?Studio: Warner Home Video Release Date: 06/07/2011 Run time: 351 minutesSurging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Wash! ington, DC. The fanatic plans to strike again in Washington…but how? When? Where? In the scramble for answers, one thing is clear: Collateral Damage is a ticking time bomb of suspense.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Los Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impr! essive display of military ordnance. Despite its formulaic plo! t and Ar nold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon

    Creepshow [Blu-ray]

    • Two macabre masters - writer Stephen King and director George A. Romero - conjure up five shocking yarns, each a virtuoso exercise in the ghouls-and-gags style ofic '50s horror comics. A murdered man emerges from the grave for Father's Day cake. A meteor's ooze makes everything . grow. A professor selects his wife as a snack for a crated creature. A scheming husband plants two lovers up to their
    Studio: Warner Home Video Release Date: 09/08/2009Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Stephen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come very close to replicating a horror comic in film format. The ! results mix fine acting with the morbid sense of humor and irony that made the E.C. books so popular in their heyday. Actors such as Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, Ed Harris, E.G. Marshall, and even King appear in the stories, which include tales of a sinister father's day celebration, a mysterious meteor, seaweed-draped zombies, a monster in a crate, and a cockroach-phobic millionaire. Fiendishly fun fare from one of horror's most famous directors. --Bryan ReesmanTwo macabre masters - writer Stephen King and director George A. Romero - conjure up five shocking yarns, each a virtuoso exercise in the ghouls-and-gags style of classic '50s horror comics. A murdered man emerges from the grave for Father's Day cake. A meteor's ooze makes everything ... grow. A professor selects his wife as a snack for a crated creature. A scheming husband plants two lovers up to their necks in terror. A malevolent millionaire with an insect phobia becomes the! prey of a cockroach army. Add the spirited performances of a ! fine cas t (Hal Holbrook, Adrienne Barbeau, Leslie Nielsen, Ted Danson, E.G. Marshall and King himself) and the ghoulish makeup wizardry of Tom Savini. Let the Creepshow begin.

    DVD Features:
    Interactive Menus
    Scene Access
    Theatrical Trailer

    Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Stephen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come very close to replicating a horror comic in film format. The results mix fine acting with the morbid sense of humor and irony that made the E.C. books so popular in their heyday. Actors such as Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, Ed Harris, E.G. Marshall, and even King appear in the stories,! which include tales of a sinister father's day celebration, a mysterious meteor, seaweed-draped zombies, a monster in a crate, and a cockroach-phobic millionaire. Fiendishly fun fare from one of horror's most famous directors. --Bryan ReesmanStudio: Warner Home Video Release Date: 09/08/2009 Run time: 134 minutes Rating: Pg13Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Stephen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come very close to replicating a horror comic in film format. The results mix fine acting with the morbid sense of humor and irony that made the E.C. books so popular in their heyday. Actors such as Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, E! d Harris, E.G. Marshall, and even King appear in the stories, ! which in clude tales of a sinister father's day celebration, a mysterious meteor, seaweed-draped zombies, a monster in a crate, and a cockroach-phobic millionaire. Fiendishly fun fare from one of horror's most famous directors. --Bryan Reesman

    Double Feature (Analyze This / Analyze That)

    • Mob boss Paul Vitti's going a little wacky. His shrink's afraid of getting whacked. Think you got troubles? Robert De Niro plays the troubled crime-family racketeer and Billy Crystal is Ben Sobel, the psychiatrist with just a few days to turn Vitti into a happy, well-adjusted gangster in Analyze This [Side A], the drop-dead funny comedy from Caddyshack director Harold Ramis. Stars and director ret
    Mob boss Paul Vitti's going a little wacky. His shrink's afraid of getting whacked. Think you got troubles? Robert De Niro plays the troubled crime-family racketeer and Billy Crystal is Ben Sobel, the psychiatrist with just a few days to turn Vitti into a happy, well-adjusted gangster in Analyze This [Side A], the drop-dead funny comedy from Caddyshack director Harold Ramis. Stars and director reteam to prove laughter is still the best therapy in Analyze That [Side B]. This time, Vitti is released f! rom Sing Sing into the custody of his therapist. Can jittery Ben help Vitti find gainful employment? Can he even believe Vitti's gone legit when guys like Lou the Wrench keep showing up? You think you got troubles?Fuhgedaboudit!

    Shadows of the Last War (Dungeon & Dragons d20 3.5 Fantasy Roleplaying, Eberron Adventure)

    • ISBN13: 9780786932764
    • Condition: Used - Like New
    • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
    Meet Buraki, the vicious, 200-meter long Imoogi serpent from ancient Korea. His army includes giant lizards with missile launchers, flying dragons, soldiers bred for evil and mega-intelligent dinosaurs. Together, they will destroy Los Angeles and possibly the world unless reincarnated warriors Ethan and Sarah can outrun them and resurrect the Good Imoogi, Buraki's ancient nemesis. Dragon Wars reveals every last detail of Earth's greatest battle, a war you'll only believe when you see it for yourself.Stunning computer-generated special effects are the main selling point of Dragon Wars: D-War, a Korean-made fantasy about ancient monsters wreaking havoc in modern Los Angeles. The complex plot, based on le! gend, pits an evil serpent and its demonic army against a young woman (Amanda Brooks) who is the reincarnation of a young woman imbued with the heaven-sent power to transform the creature into an all-powerful dragon. Jason Behr (The Grudge) is the reporter who discovers that he too is a reincarnated warrior bound to prevent Brooks and her power from falling into the wrong hands. The elaborate premise isn't helped by the script, which delivers absurd dialogue and situations with child-like naivete; thankfully, the presence of Robert Forster (as another reincarnated hero) and solid actors like Elizabeth Pena, The Office's Craig Robinson, and Chris Mulkey, help smooth over the frequent moments of unintentional humor. But this won't matter much to fantasy fans and (especially) younger viewers, who will tune in for the film's riot of special effects; director Shim Hyung-rae and his talented team offer scene after scene of exceptional CGI creations, most notably a a! erial dogfight between helicopters and winged lizards in the s! kies abo ve downtown L.A., and a climactic battle which makes good on the title's promise. The DVD includes a making-of featurette which outlines Shim's four-year struggle to complete the project, as well as storyboard galleries and an animatics display. -- Paul GaitaMeet Buraki, the vicious, 200-meter long Imoogi serpent from ancient Korea. His army includes giant lizards with missile launchers, flying dragons, soldiers bred for evil and mega-intelligent dinosaurs. Together, they will destroy Los Angeles and possibly the world unless reincarnated warriors Ethan and Sarah can outrun them and resurrect the Good Imoogi, Buraki's ancient nemesis. Dragon Wars reveals every last detail of Earth's greatest battle, a war you'll only believe when you see it for yourself.Stunning computer-generated special effects are the main selling point of Dragon Wars: D-War, a Korean-made fantasy about ancient monsters wreaking havoc in modern Los Angeles. The complex plot, based on ! legend, pits an evil serpent and its demonic army against a young woman (Amanda Brooks) who is the reincarnation of a young woman imbued with the heaven-sent power to transform the creature into an all-powerful dragon. Jason Behr (The Grudge) is the reporter who discovers that he too is a reincarnated warrior bound to prevent Brooks and her power from falling into the wrong hands. The elaborate premise isn't helped by the script, which delivers absurd dialogue and situations with child-like naivete; thankfully, the presence of Robert Forster (as another reincarnated hero) and solid actors like Elizabeth Pena, The Office's Craig Robinson, and Chris Mulkey, help smooth over the frequent moments of unintentional humor. But this won't matter much to fantasy fans and (especially) younger viewers, who will tune in for the film's riot of special effects; director Shim Hyung-rae and his talented team offer scene after scene of exceptional CGI creations, most notably a! aerial dogfight between helicopters and winged lizards in the! skies a bove downtown L.A., and a climactic battle which makes good on the title's promise. The DVD includes a making-of featurette which outlines Shim's four-year struggle to complete the project, as well as storyboard galleries and an animatics display. -- Paul Gaita
    The first adventure for the brand new Eberron campaign setting.

    This full-length adventure for the newest D&D® campaign setting is designed to showcase many of the most unique traits of the Eberron setting. It will play out across the entire face of the Eberron realm and is designed to either be a stand-alone adventure or an immediate follow-up to the short adventure provided in the Eberron Campaign Setting™.

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